The clarinet in the classical period
著者
書誌事項
The clarinet in the classical period
Oxford University Press, 2008,c2003
- : pbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
"First issued as an Oxford University Press paperback 2008"--T.p. verso
Includes bibliographical references (p. 271-302) and indexes
内容説明・目次
内容説明
Acclaimed author of The Baroque Clarinet, Albert R. Rice, now presents a comprehensive study of the clarinet in use through the classical period, from 1760 to 1830. During the early part of this intensive period of musical experimentation, the clarinet was transformed from a typically baroque instrument to an essential piece of the classical ensemble. Barely a half century later, in 1812, Ivan Muller developed the thirteen-keyed clarinet, which brought
the instrument into the Romantic age.
The Clarinet in the Classical Period provides a detailed review of the achievements of the period's most important clarinet makers, including James Wood, Teobaldo Monzani, Jean-Francois Simiot, as well as the innovations of creative performers such as Ivan Muller and Cesar Janssen. Rice offers new research regarding the practice of clef notation by Italian, French, and German composers, clarifying their use of transposing clarinets. The book also explores the creative
relationships of two key trios of composer, maker, and performer - Carl Maria von Weber, Heinrich Baermann, and Jean-Jacques Baumann; and Mozart, Anton Stadler, and Theodore Lotz - examining how clarinet construction and performance practice developed in tandem with musical styles.
Essential reading for clarinetists and for those who love their music, The Clarinet in the Classical Period recounts a fascinating chapter in the instrument's history.
目次
- Introduction
- 1. General Design and Construction Characteristics
- 2. Historical Development
- 3. Playing Techniques
- 4. Music for the Classical Clarinet
- 5. The Clarinet in Performing Groups
- Notes
- Bibliography
「Nielsen BookData」 より