The minaret
Author(s)
Bibliographic Information
The minaret
(Edinburgh studies in Islamic art)
Edinburgh University Press, c2013
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 363-381) and index
Description and Table of Contents
Description
This is a lavishly illustrated history of this iconic element of Islamic architecture. "The Minaret": the most striking and visible element of Islamic architecture. Tracing its origins and development, Bloom reveals that the Minaret, long understood to have been invented in the early years of Islam as the place from which the muezzin gives the call to prayer, was actually invented some two centuries later to be a visible symbol of Islam. New for this edition: broader focus: expanded to cover the Minaret in West and East Africa, the Yemen and Southeast Asia in addition to Iran, Egypt, Turkey and India; how do minarets stay up - even in earthquakes? New section on the engineering of minarets for scholars with a specialist interest in architecture; brings the discussion up-to-date: how are modern architects using the tower form?; now generously illustrated with colour photographs as well as black and white photographs and line drawings; easier to read: uses simplified transcriptions of Arabic terms and names; Bibliography updated to include the latest publications; text updated and corrected throughout; and, selling Points.
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