The formation of genre in Burmese classical songs
Author(s)
Bibliographic Information
The formation of genre in Burmese classical songs
Osaka University Press, c2014
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
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  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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Note
Includes bibliographical references (p. [249]-263) and index
Description and Table of Contents
Table of Contents
- 1 Song Anthology Editing and Genre Classification(The Definition of Thachingyi and Maha gita;The Palm‐leaf and Paper Manuscripts on Which Songs are Transcribed ほか)
- 2 Tuning Systems and Song Genres(Types of Tuning Systems;Tuning System Diversification and U Sa ほか)
- 3 Song Composition Techniques and Song Genres(Techniques Used to Compose Kyo Songs;Techniques Used to Compose Patpyo Songs ほか)
- 4 Song Genre Concepts in U Sa’s Songs(Genre Classifications Used in TITLES(1870) and U Sa’s Songs;Songs That Include Genre Names in U Sa’s Anthology ほか)
- 5 The Formation of Genre(The Age of Patpyo Composers;The Editing of Patpyo ほか)
by "BOOK database"