Bibliographic Information

Brazil

edited by Louis Bayman and Natália Pinazza

(Directory of world cinema, v. 21)

Intellect Books, 2013

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Note

Includes bibliographical references (p. [272]-273) and filmography (p. [290]-292)

Description and Table of Contents

Description

Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves. This volume seeks to introduce newcomers to Brazilian cinema and to offer valuable insights to those already well-versed in the topic. It brings into sharp focus some of the most important movements, genres and themes from across the eras of Brazilian cinema, from cinema novo to musical chanchada, the road movie to cinema de bordas, avant-garde to pornochanchada. Delving deep beyond the surface of cinema, the volume also addresses key themes such as gender, indigenous and diasporic communities and Afro-Brazilian identity. Situating Brazilian cinema within the country's changing position in the global capitalist system, the essays consider uneven modernization, class division, dictatorship, liberation struggles and globalization alongside questions of entertainment and of artistic innovation.

Table of Contents

Introduction by the Editors  Film of the Year  5 x Favela, Now By Ourselves Star Study  Carmen Miranda Film-makers  Glauber Rocha José Mojica Marins Walter Salles Cultural Crossover  Cinema de Bordas in Brazil The Re-emergence of Brazilian Cinema: A Brief History Festival Focus  Film Festivals in Brazil Early Years Cinema Novo Gender Music Afro-Brazilian Identity The Representation of the Brazilian Indian   Diaspora DocumentaryAdaptation Comedy Road Movie

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