Performing gender, place, and emotion in music : global perspectives

著者

    • Magowan, Fiona
    • Wrazen, Louise Josepha

書誌事項

Performing gender, place, and emotion in music : global perspectives

edited by Fiona Magowan and Louise Wrazen

（Eastman/Rochester studies ethnomusicology / Ellen Koskoff, series editor, v. 5）

University of Rochester Press, 2013

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注記

Includes bibliographical references (p. [195]-199) and index

収録内容

  • Introduction : musical intersections, embodiments, and emplacements / Fiona Magowan and Louise Wrazen
  • Engendering emotion and the environment in Vietnamese music and ritual / Barley Norton
  • Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance / Jonathan McIntosh
  • Performing emotion, embodying country in Australian aboriginal ritual / Fiona Magowan
  • Christian choral singing in aboriginal Australia : gendered absence, emotion, and place / Muriel Swijghuisen Reigersberg
  • Transforming the singing body : exploring musical narratives of gender and place in east Bavaria / Sara R. Walmsley-Pledl
  • A place of her own : gendered singing in Poland's Tatras / Louise Wrazen
  • Singing the contentions of place : Korean singers of the heart and soul of Japan / Christine R. Yano
  • In our foremothers' arms : goddesses, feminism, and the politics of emotion in Sámi songs / Tina K. Ramnarine

内容説明・目次

内容説明

While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, andEmotion in Music is the first book-length study to examine the interweaving of these three concepts from a cross-cultural perspective. Contributors show how a theoretical focus one dimension implicates the others, creating anexus of performative engagement. This process is examined across different regions around the globe, through two key questions: How are aesthetic, emotional, and imagined relations between performers and places embodied musically? And in what ways is this performance of emotion gendered across quotidian, ritual, and staged events? Through ethnographic case studies, the volume explores issues of emplacement, embodiment, and emotion in three parts: landscape and emotion; memory and attachment; and nationalism and indigeneity. Part I focuses on emplaced sentiments in Australasia through Vietnamese spirit possession, Balinese dance, and land rights in Aboriginal performance. PartII addresses memories of Aboriginal choral singing, belonging in Bavarian music-making, and gender-performativity in Polish song. Part III evaluates emotion and fandom around a Korean singer in Japan, and Sami interconnectivitiesin traditional and modern musical practices. Beverley Diamond provides a thought-provoking commentary in the afterword. Contributors: Beverley Diamond, Fiona Magowan, Jonathan McIntosh, Barley Norton, Tina K. Ramnarine, Muriel Swijghuisen Reigersberg, Sara R. Walmsley-Pledl, Louise Wrazen, Christine Yano. Fiona Magowan is Professor of Anthropology at Queen's University, Belfast. Louise Wrazen is Associate Professor of Music at York University.

目次

Introduction: Musical Intersections, Embodiments, and Emplacements - Fiona Magowan and Louise Wrazen Engendering Emotion and the Environment in Vietnamese Music and Ritual - Barley Norton Gendering Emotional Connections to the Balinese Landscape: Exploring Children's Roles in a Barong Performance - Jonathan McIntosh Performing Emotion, Embodying Country in Australian Aboriginal Ritual - Fiona Magowan Christian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place - Muriel Swijghuisen Reigersberg Transforming the Singing Body: Exploring Musical Narratives of Gender and Place in East Bavaria - Sara R. Walmsley-Pledl A Place of Her Own: Gendered Singing in Poland's Tatras - Louise Wrazen Singing the Contentions of Place: Korean Singers of the Heart and Soul of Japan - Christine Yano "In Our Foremothers' Arms": Goddesses, Feminism, and the Politics of Emotion in Sami Songs - Tina K. Ramnarine Afterword - Beverley Diamond Selected Bibliography List of Contributors Index

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