Gauguin : metamorphoses

書誌事項

Gauguin : metamorphoses

Starr Figura ; with essays by Elizabeth C. Childs, Hal Foster, and Erika Mosier

Museum of Modern Art, c2014

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注記

Exhibition catalogue

Published to accompany the exhibition held at the Museum of Modern Art, New York, March 8-June 8, 2014

List of illustrated works: p. 222-231

Chronology: p. 233-237

Selected bibliography: p. 238-243

Includes index

内容説明・目次

内容説明

Published in conjunction with the exhibition Gauguin: Metamorphoses at The Museum of Modern Art, this volume explores the remarkable relationship between Paul Gauguin's rare and extraordinary prints and transfer drawings, and his better-known paintings and sculptures in wood and ceramic. Created in several discreet bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin's experiments with a range of mediums, from radically 'primitive' woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolour monotypes and large, mysterious transfer drawings. Richly illustrated with approximately 190 works in a range of mediums, Gauguin: Metamorphoses explores the artist's radically experimental approach to techniques and his pivotal place in the history of art. An introductory essay by Starr Figura considers the significance of Gauguin's innovative printmaking and the relationship between his prints and works in painting and sculpture. Elizabeth Childs writes on Gauguin's radical wood sculptures, using them as a touchstone from which to further investigate his peripatetic practice. An essay by Hal Foster addresses Gauguin's 'primitivism' and its aesthetic and cultural implications. An essay by Erika Mosier offers a conservator's insights into Gauguin's unusual printmaking techniques.

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