Revisiting symbolic interaction in music studies and new interpretive works
著者
書誌事項
Revisiting symbolic interaction in music studies and new interpretive works
(Studies in symbolic interaction / editor, Norman K. Denzin, v. 42)(Emerald books)
Emerald, 2014
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
This volume addresses the perceived gap between symbolic interaction and ethnomusicological approaches to the study of music. It seeks to bring the fields closer by highlighting some of the complementary theoretical constructs of phenomenology and symbolic interaction as they relate to music studies. The papers, presented at the 2012 Couch-Stone Symposium, work toward this reconciliation by applying the lens of symbolic interaction to various musical genres, from traditional Inuit music to jazz to hip-hop, reflecting a sensitivity to their various topics as both artistic achievement and social activity. The authors' work in multiple disciplines (Sociology, Ethnomusicology, and Communication Studies), along with their own sharing of ideas in this project, nurtures the opportunity to bring these studies into a full interdisciplinary conversation. It is the hope of the authors that we can not only open a deepened conversation between scholars in different fields, but also integrate concepts from symbolic interactionism and ethnomusicology as they continue to address the complexity of meaning in varying musical contexts.
目次
Experiencing the Music: Toward a Visual Model for the Social Construction of Music.
Introduction.
Cooperative Activity: The Importance of Audiences.
Scenes, Personae and Meaning: Symbolic Interactionist Semiotics of Jazz Improvisation.
The Scene: A Conceptual Template for an Interactionist Approach to Contemporary Music.
The Dialectic of Domination and Democracy in Aeschylus's Oresteia: A Radical Interactionist Reading.
Wilmer's Secret Box: Reflections on My Father's Life.
From Biographical Accounts to a Grounded Theory: Social Worlds of German Trade Unions.
The Role of Informal Sport: The Local Context and the Development of Elite Athletes.
Familiar Strangers: Facework Strategies in Pursuit of Non-Binding Relationships in a Workplace Exercise Group.
What to Do in Case of Terrorism: The Evolution of Emergency Response Handbooks.
Author biographies.
List of Contributors.
Studies in symbolic interaction.
Revisiting Symbolic Interaction in Music Studies and New Interpretive Works.
Revisiting Symbolic Interaction in Music Studies and New Interpretive Works.
Copyright page.
Experiencing the Music: Toward a Visual Model for the Social Construction of Music.
Introduction.
Cooperative Activity: The Importance of Audiences.
Scenes, Personae and Meaning: Symbolic Interactionist Semiotics of Jazz Improvisation.
The Scene: A Conceptual Template for an Interactionist Approach to Contemporary Music.
The Dialectic of Domination and Democracy in Aeschylus's Oresteia: A Radical Interactionist Reading.
Wilmer's Secret Box: Reflections on My Father's Life.
From Biographical Accounts to a Grounded Theory: Social Worlds of German Trade Unions.
The Role of Informal Sport: The Local Context and the Development of Elite Athletes.
Familiar Strangers: Facework Strategies in Pursuit of Non-Binding Relationships in a Workplace Exercise Group.
What to Do in Case of Terrorism: The Evolution of Emergency Response Handbooks.
Author biographies.
List of Contributors.
Studies in symbolic interaction.
Revisiting Symbolic Interaction in Music Studies and New Interpretive Works.
Revisiting Symbolic Interaction in Music Studies and New Interpretive Works.
Copyright page.
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