Bodily expression in electronic music : perspectives on reclaiming performativity
著者
書誌事項
Bodily expression in electronic music : perspectives on reclaiming performativity
(Routledge research in music, 2)
Routledge, 2012
- : hbk
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [211]-221) and index
内容説明・目次
内容説明
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers', performers', improvisers' and listeners' bodies, as well as the works' and technologies' figurative bodies as a rich source of expressive articulation. Bringing together humanities' scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body's role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.
目次
Part 1: Bodily... 1. Touch: Apparent, Real, and Absent: On Bodily Expression in Electronic Music Deniz Peters 2. How Things Fall Apart: Alteration of Body in Music and Dance Sondra Fraleigh 3. What Would Disembodied Music Even Be? Alva Noe 4. Embodying the Sonic Invisible: Sketching a Corporeal Ontology of Musical Interaction Susan Kozel 5. Seeing Sound, Hearing Movement: Multimodal Expression and Haptic Illusions in the Virtual Sonic Environment Jaana Parviainen Part 2: ...Expression in... 6. Ich und Du: On the Relation Between Body Image and Sound Structure in Contemporary Music Isabel Mundry 7. Isabel Mundry's Ich und Du and the Elusiveness of Musical Meaning: Variations on Music, Body, Structure, Perception Christian Utz 8. Two Kinds of Physicality in Electronic and Traditional Music Kendall L. Walton 9. Objective Music: Traditions of Soundmaking without Human Expression Federico Celestini and Andreas Dorschel Part 3: ...Electronic Music 10. Embodied Generative Music Gerhard Eckel 11. Live Electronic Music or Living Electronic Music? Simon Emmerson 12. Relational Ontologies and Social Forms in Digital Music Georgina Born 13. JND: An Artistic Experiment in Bodily Experience as Research Chris Salter
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