Illusive utopia : theater, film, and everyday performance in North Korea
著者
書誌事項
Illusive utopia : theater, film, and everyday performance in North Korea
(Theater : theory, text, performance / Enoch Brater, series editor)
The University of Michigan Press, c2010
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This is a rare glimpse into North Korean propaganda - in parades, posters, murals, theater, and films. No nation stages massive parades and collective performances better than North Korea. Amid a series of intense political/economic crises and international conflicts, North Korea has continued to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. ""Illusive Utopia"" explores how state-sponsored propaganda performances - including public spectacles, theater, film, and other visual media including posters - shape everyday practice in a country where the performing arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize people. ""Illusive Utopia"" examines sixty years of propaganda performances and how they have intersected with everyday practices such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. It is the first English-language study of visual culture and performing arts as they relate to the formation of North Korean national identity.
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