Decentring the Avant-garde
Author(s)
Bibliographic Information
Decentring the Avant-garde
(Avant garde critical studies, 30)
Rodopi, 2014
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Decentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.
Table of Contents
Per Backstroem / Benedikt Hjartarson: Rethinking the Topography of the International Avant-Garde. Introduction
Rethinking the Dichotomy of Centre-Periphery
Partha Mitter: Modern Global Art and Its Discontents
Eva Forgacs: Romantic Peripheries. The Dynamics of Enlightenment and Romanticism in East-Central Europe
Daina Teters: Peculiarities in the Use of the Concepts Centre and Periphery in Avant-Garde Strategies
Laura Winkiel: Postcolonial Avant-Gardes and the World System of Modernity / Coloniality
Piotr Piotrowski: Avant-Garde Art in Post-Communist Central Europe
Impact of the Periphery on the Centre
Malte Hagener: Mushrooms, Ant Paths and Tactics. The Topography of the European Film Avant-Garde
Thomas Hunkeler: Claiming Dada for the French
Vojtech Lahoda: Migration of Images. Private Collections of Modernism and Avant-Garde and the Search for Cubism in Eastern Europe
Thomas Hackner: Worlds Apart? The Japan-Europe Historical Avant-Garde Relationship
Central Role(s) of the Periphery
Lisa Otty: "An Eccentric Homespun Avant-Gardist". Hugh MacDiarmid, 'Northern' Radicalism, and the Scottish Renaissance Movement
Hanna Horsberg Hansen: Sami Artist Group 1978-1983. Otherness or Avant-Garde?
Benedikt Hjartarson: Anationalism and the Search for a Universal Language. Esperantism and the European Avant-Garde
Konstantin Dudakov-Kashuro: Revising the Aporias of the Avant-Garde
Contributors
Index
by "Nielsen BookData"