The science of aspects : the changing role of fact in the work of Coleridge, Ruskin and Hopkins
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書誌事項
The science of aspects : the changing role of fact in the work of Coleridge, Ruskin and Hopkins
（Bloomsbury academic collections, . English literary criticism ; 18th-19th centuries）
Bloomsbury, 2013
- : hardback
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注記
Reprint. Originally published: London : Athlone Press, 1971
Bibliography: p. 151-152
Includes index
内容説明・目次
内容説明
'There is a science of the aspects of things, as well as of their nature' - if this dictum of Ruskin is central to his aims in Modern Painters it points also to the remarkable affinity of creative effort to record and to interpret the natural world that links him with Coleridge at the beginning and with Hopkins in the latter half of the nineteenth century. But the three writers stand in no simple relation of mere sequence and in this essay, which continues the exploration of the Romantic and Victorian imagination begun in her previous book, The Central Self, Dr Ball follows the complex interrelationships, clash and resolution of ideas by which a profound shift in nineteenth-century creative vision was effected.
The notebooks and diaries of the three writers together with the literary work that grew out of or paralleled this material form the foundation for this illuminating essay, but Dr Ball's enquiry is necessarily wide-ranging and branches into such wider questions as the whole critical theory of the pathetic fallacy and the influence on Coleridge, Ruskin and Hopkins of contemporary science and the visual arts.
目次
Abbreviations
Introduction
1 Coleridge and the World of Sense
Theory
Descriptive Prose
Poems
2 Ruskin and 'The Pure Fact'
Ruskin as Poet
The Pathetic Fallacy
Descriptive Prose
3 Hopkins and 'The Sweet Especial Scene'
Theory
Descriptive Prose
Poems
Appendix. An uncollected letter from Hopkins to Nature
Bibliography
Notes
Index
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