{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB15676671.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB15676671#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB15676671.json"},"dc:title":[{"@value":"More than Bollywood : studies in Indian popular music"}],"dc:creator":"edited by Gregory D. Booth and Bradley Shope","dc:publisher":[{"@value":"Oxford University Press"}],"dcterms:extent":"xvi, 358 p.","cinii:size":"25 cm","dc:language":"eng","dc:date":"2014","cinii:ncid":"BB15676671","cinii:ownerCount":"2","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA15636847#entity","@type":"foaf:Person","foaf:name":[{"@value":"Booth, Gregory D."}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Shope, Bradley"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001925","@type":"foaf:Organization","foaf:name":"東京芸術大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.geidai.ac.jp/opc/recordID/catalog.bib/BB15676671"}},{"@id":"https://ci.nii.ac.jp/library/FA009224","@type":"foaf:Organization","foaf:name":"国立民族学博物館 情報管理施設","rdfs:seeAlso":{"@id":"https://opac.minpaku.ac.jp/webopac/ufirdi.do?ufi_target=ctlsrh&ncid=BB15676671"}}],"bibo:lccn":["2013009314"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2013009314"}],"prism:publicationDate":["c2014"],"cinii:note":["Includes bibliographical references (p. [321]-333) and index"],"dc:subject":["LCC:ML3502.I4","DC23:781.630954"],"cinii:contentOfWorks":["A moment of historical conjuncture in Mumbai : playback singers, music directors, and arrangers and the creation of Hindi song, 1948-1952 / Gregory D. Booth","Global Masala : digital identities and aesthetic trajectories in post-liberalized Indian film music / Natalie Sarrazin","Kollywood goes global : new sounds and contexts for Tamil film music in the 21st century / Joseph Getter","On nightingales and moonlight : songcrafting femininity in Malluwood / Kaley Mason","Film song and its other : stylistic mediation and the Hindi film song genre / Jayson Beaster-Jones","Play it again, Saraswathi : gramophone, religion, and devotional music in colonial south India / Stephen Putnam Hughes","Filming the Bhangra music video / Anjali Gera Roy","Mimesis and authenticity : the case of \"Thanda Thanda Pani\" and questions of versioning in north Indian popular music / Peter Kvetko","Making music regional in a Delhi studio / Stefan Fiol","Latin American music in moving pictures and jazzy cabarets in Mumbai, 1930s to 1950s / Bradley Shope","The beat comes to India : the incorporation rock music into the indian soundscape / Gregory D. Booth","Be true to yourself : violin ganesh, fusion, and contradictions in contemporary urban India / Niko Higgins","At home in the studio : the sound of Manganiyar music giong popular / Shalini Ayyagari","The livenesses of Pandit Bhimsen Joshi's popular abhangas / Anna Schultz","Bollywood in the era of film song avatars : DJing, remixing, and change in the film music industry of north India / Paul D. Greene","Afterword : capitalisms and cosmopolitanisms / Timothy D. Taylor"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Popular+music+--+India+--+History+and+criticism","dc:title":"Popular music -- India -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Motion+picture+music+--+India+--+Mumbai+--+History+and+criticism","dc:title":"Motion picture music -- India -- Mumbai -- History and criticism"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780199928835"},{"@id":"urn:isbn:9780199928859","dc:title":": pbk"}]}]}