Edward Hopper : women
著者
書誌事項
Edward Hopper : women
Seattle Art Museum, c2008
- タイトル別名
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Edward Hopper's women
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalogue of the exhibition held at Seattle Art Museum, Nov. 13, 2008-Mar. 1, 2009
Title of exhibition: Edward Hopper's women
Chronology: p. 53-59
Includes bibliographical references
内容説明・目次
内容説明
Edward Hopper: Women focuses on a small interconnected group of paintings that set the course of the artist's successful career as a painter of the modern American scene. At the center of the group is Chop Suey (1929), which is among the very first of Hopper's paintings of the modern urban scene. Hopper revealed himself as an uncommonly close observer of people and places when in the 1920s he studied the interiors of New York restaurants and focused on the young women clientele that typically frequented them. It was with Chop Suey and related paintings that Hopper found his most potent, enigmatic subject in the American city--the modern American woman. What Hopper created in these early New York paintings was a look at a social dynamic that was reshaping the urban scene--the influx of young women into the modern work-a-day world. The book brings together a group of paintings that shows Chop Suey as a part of an extended narrative of human vulnerability that evolved as Hopper studied women in new kinds of social spaces in New York.
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