From Eileen Chang to Ang Lee : Lust, caution
著者
書誌事項
From Eileen Chang to Ang Lee : Lust, caution
(Academia Sinica on East Asia)
Routledge, 2014
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In 2007, Ang Lee made an espionage thriller based on the short story "Lust, Caution" by Eileen Chang, China's most famous female author of the twentieth century. The release of the film became a trigger for heated debates on issues of national identity and political loyalty, and brought unexpectedly harsh criticism from China, where Ang Lee was labelled a traitor in scathing internet critiques, whilst the film's leading actress Tang Wei was banned from appearing on screen for two years.
This book analyses Ang Lee's art of film adaptation through the lens of modern literary and film theory, as well as featuring detailed readings and analyses of different dialogues and scenes, directorial and authorial decisions and intentions, while at the same time confronting the intense political debates resulting from the film's subject matter. The theories of Freud, Lacan, Deleuze, Bataille and others are used to identify and clarify issues raised by the film related to gender, sexuality, eroticism, power, manipulation, and betrayal; the themes of lust and caution are dealt with in conjunction with the controversial issues of contemporary political consciousness concerning patriotism, and the Sino-Japanese War complicated by divided historical experiences and cross-Taiwan Strait relationships.
The contributors to this volume cover translation and adaptation, loyalty and betrayal, collaboration and manipulation, playing roles and performativity, whilst at the same time intertwining these with issues of national identity, political loyalty, collective memory, and gender. As such, the book will appeal to students and scholars of Chinese and Asian cinema and literature, as well as those interested in modern Chinese history and cultural studies.
目次
Introduction Part I. Adaptation as translation, betrayal, or consumption 1. Montage of attractions: juxtaposing Lust/Caution 2. Two versions of Se Jie: fiction and film - views from a common reader 3. Sado-masochism, steamy sex, and Shanghai glitter: what's love got to do with it? - a 'philologist' looks at Lust/Caution and the literary texts that inspired it 4. Cannibal, class, betrayal: Eileen Chang and Ang Lee Part II: Eros, subjectivity, and collective memory 5. Eros impossible and eros of the impossible in Lust/Caution: the Shanghai lady/baby in the late 1930s and early 1940s 6. Self as performance, lust as betrayal in the theatre of war 7. The "real" Wang Jiazhi: taboo, transgression, and truth in Lust/Caution Part III: Identity politics and global cultural economy 8. Becoming noir 9. Woman as metaphor: how Lust/Caution re/deconstructs history 10. The transnational affect: cold anger, hot tears, and Lust/Caution
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