Mississippi hill country blues 1967
著者
書誌事項
Mississippi hill country blues 1967
(American made music series)
University Press of Mississippi, c2013
- : cloth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
These photographs document George Mitchell's trip to Mississippi, where he searched for then
unrecorded blues musicians including R. L. Burnside, Jessie Mae Hemphill, and Othar Turner. This
journey yielded recordings of music now on cherished and touted albums and CDs. From Mitchell's
fieldwork many others discovered the region and its distinctive style of blues. Some of the musicians
Mitchell recorded had their lives transformed following his visit.The historic photographs in George Mitchell's Mississippi Hill Country Blues 1967 capture a
vibrant blues tradition at the moment of its discovery. Intimate, without posturing or pandering, these
photographs provide a raw, authentic look at African American blues musicians, their families, and
their stomping grounds in the Mississippi Hill Country at a time when blues music remained a lively,
though waning, part of their community and blues musicians were viewed with respect and pride.
Blues musicians brought pleasure and release to people wrestling with severe poverty and pervasive
discrismination.Mitchell's ability to connect with his subjects is evident in his arresting images. The musicians--
and their families and friends--welcomed him in their homes and at rent parties and fife and drum
picnics. They posed for portraits. They let him hang around with his camera while they cooked supper
or danced up a storm. The book includes Mitchell's interviews, conducted at the time he took the photos, with four of the
musicians, who talk about their music, their lives, and the times in which they live. Running throughout
is the author's recounting of his experience of the seminal musicological odyssey.
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