Dada, surrealism, and the cinematic effect
著者
書誌事項
Dada, surrealism, and the cinematic effect
（Film + media studies）
Wilfrid Laurier University Press, c2013
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注記
Includes index
内容説明・目次
内容説明
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema's lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film's provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media's materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author's previous, Harmony & Dissent , examines the Dada and Surrealist movements as responses to the advent of the cinema.
目次
Table of Contents for DADA, Surrealism, and the Cinematic Effect by R. Bruce Elder Preface 1 The Fate of Reason in Modernity The Modern Paradigm: Privileging Reason Geometry and Geometries Foundationalism Collapses Logic and Paradox Continuity and the Foundations of Physics Cantor and the Strangeness of Infinity Formalist Mathematics and the Limits of Reason Consequences of Reason's Retreat aPrimitivisma as a Response to the Collapse of Reason Notes 2 Dadism and the Disasters of War The ZA"rich Coterie and Their Antics The Dada Conspirators: Tristan Tzara The Dada Conspirators: Hugo Ball and Emmy Hennings The Dada Conspirators: Francis Picabia The KA"nstlerkneipe Cabaret Voltaire and the Galerie Dada DADA: War and Politics DADA against Burgeoning of Nationalism: What DADA Might Have Prevented A Precursor of DADA: The Comic Grotesque The Diffusion of DADA The Conditions That Produced the State of Mind Known as DADA Elementalism's Menacing Lure DADA: Art and Anti-Art DADA and the Life Principle Constructive DADA Hans Richter on the Six Forms of Use in Returning Art to Its Elementary Condition Dada Forms: Collage Further on Collage's New Notion of Form DADA and Language Parallels with the Russian Trans-Rationalists and Andrei Bely Zaum and the Higher Consciousness of Trans-Sense Picabia, Man Ray and the Dadaist Art of the Machine Duchamp and DADA's Art of the Machine Entr'acte (1924): Commentary Man Ray's DADA Cinema Emak Bakia : Introduction Emak Bakia : Commentary DADA: In conclusion Notes 3 Surrealism and the Cinema Beginnings Psychoanalysis and the Occult: The Intrusion of Alien Forms into Consciousness and the Poetics of the Surrealist Literary Image DADA and Surrealism Hippolyte Taine, Hasard Objectif , the Poetic Image and the Cinema The Cinema, Photography and athe Marvellousa Photography, the Surrealist Object, and the Unheimlich Ernst's Frottage as a Handmade Trace and Automatist Form Surrealism, Apollinaire, and Reconciliatio Surrealism and the Hegelian Dialectic Surrealism and the Freudian Dialectic DalA , the Double Image, and Paranoiac-Critical Methods DalA Against Idealism DalA , Paranoia and Lacan: A New Phase of Surrealism Begins Lacan's Theories and Surrealists' Conception of the Poetic Image Un chien andalou : Commentary An Anti-art Film The Verbal Image Surrealism's Fissures and Luis BuA+/-uel's Las Hurdes: Tierra sin pan Las Hurdes and the Documentary Dialectical Structure in Las Hurdes Las Hurdes and Bataille's Heterology Las Hurdes and the Sacred Las Hurdes as an Ethnographic Film The Hurdanos in History How Surrealism Has Been Passed Down into the Twenty-First Century: The Marvellous Correspondence between Max Ernst's Collage Novels and Lawrence Jordan's Films Collage as a Pneumatic Device: Through Ernst to Jordan The Surrealist Collage Novel: Une semaine de bontA (c) aaDimanchea (Calcination) The Surrealist Collage Novel: Une semaine de bontA (c) aaLundia (Dissolution) The Surrealist Collage Novel: Une semaine de bontA (c) aaMardia (Separation) The Surrealist Collage Novel: Une semaine de bontA (c) aaMercredia (Conjunction) The Surrealist Collage Novel: Une semaine de bontA (c) aaJeudia (Putrefaction/Fermentation) The Surrealist Collage Novel: Une semaine de bontA (c) aaVendredia (Distillation) The Surrealist Collage Novel: Une semaine de bontA (c) aaSamedia (Coagulation) The Surrealist Collage Novel: Une semaine de bontA (c) aaSamedia (Coagulation) Lawrence Jordan between Surrealism and Alchemy Lawrence Jordan's Duo Concertantes : Commentary Part One: The Centennial Exposition Part Two: Patricia Gives Birth to a Dream by the Doorway Notes In Lieu of a Conclusion Appendix 1: How Reason Lost its Purchase on Reality Notes Appendix 2: Infinity Confounds Reason Notes Appendix 3: An Account of GAdel's Proof for Poets, Painters and Art Historians Notes Appendix 4: Emak Bakia : A Shot Analysis and Commentary Notes Appendix 5: Un chien andalou : A Shot Analysis and Commentary Notes Appendix 6: Land without Bread : An Shot Analysis and Commentary Notes Appendix 7: Analysis of Larry Jordan's Duo Concertantes Part One: The Centennial Exposition Part Two: Patricia Gives Birth to a Dream by the Doorway Duo Concertantes Musical Form: Tables Duo Concertantes Part 1: The Centennial Exposition Duo Concertantes Part 2: Patricia Gives Birth to a Dream by the Doorway Index
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