The Hispanic image in Hollywood : a postcolonial approach

Author(s)

    • Barrueto, Jorge J.

Bibliographic Information

The Hispanic image in Hollywood : a postcolonial approach

Jorge J. Barrueto

(Framing film : the history & art of cinema, v. 14)

Peter Lang, c2014

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Note

Includes bibliographical references (p. [189]-201) and index

Description and Table of Contents

Description

The Hispanic Image in Hollywood: A Postcolonial Approach offers an in-depth analysis of how Hispanics are represented in American cinema. Film production is a reflection of American historical processes that have defined Hispanics and American mainstream identity as oppositional forces in the domestic political establishment. Hispanic difference, as depicted in film, is understood as the by-product of Western philosophy, Western science, territorial expansion, colonialism and American nation building, wherein Hispanics have been identified as the antithetical, ubiquitous Other. More precisely, specific Hollywood films not only mirror American history but also a variety of political discourses that have defined Hispanic identity. Thematic categories of American history used to construct Hispanics reflect, in many ways, a deep-rooted, Eurocentric, colonial worldview. As the research of this book clearly shows, film depictions of Hispanics have created negative visual taxonomies based on gender, race, and class.

Table of Contents

Contents: The Making of Tony Montana - Hotel Maid in Manhattan - Latin American Geography in the Movies - Cinematic Humor and Difference - Contestation of the Colonial Past.

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