Sounding out heritage : cultural politics and the social practice of Quan Họ folk song in northern Vietnam
著者
書誌事項
Sounding out heritage : cultural politics and the social practice of Quan Họ folk song in northern Vietnam
(Southeast Asia : politics, meaning, memory)
University of Hawai'i Press, 2013
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 165-176) and index
Summary: On account of evolution of folk song tradition in Vietnam as a struggle of survival in politics
内容説明・目次
内容説明
Sounding Out Heritage explores the cultural politics that have shaped the recent history and practice of a unique style of folk song that originated in B?c Ninh province, northern Vietnam. The book delves into the rich and complicated history of quan h?, showing the changes it has undergone over the last sixty years as it moved from village practice onto the professional stage. Interweaving an examination of folk music, cultural nationalism, and cultural heritage with an in-depth ethnographic account of the changing social practice of quan ho folk song, author Lauren Meeker presents a vivid and historically contextualized picture of the quan h? "soundscape". Village practitioners, ordinary people who love to sing quan h?, must now negotiate increased attention from those outside the village and their own designation as "living treasures". Professional singers, with their different performance styles and representational practices, have been incorporated into the quan h? soundscape in an effort to highlight and popularize the culture of B?c Ninh province in the national context.
With its focus on the politics of rescuing, preserving, and performing folk music, this book makes a timely contribution to studies of cultural politics by showing with considerable nuance how a tradition can become a self-conscious heritage and national icon. In 2009, Quan H? B?c Ninh Folk Songs was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity. Defining and reframing quan h? as cultural heritage has further complicated the relationship between village and professional quan h? and raises crucial issues about who has the authority to speak for quan h? in the international context. Sounding Out Heritage offers an in-depth account of the impact of cultural politics on the lives and practices of quan h? folk singers in Vietnam and shows compellingly how a tradition can mean many things to many people.
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