Innocence, heterosexuality, and the queerness of children's literature
著者
書誌事項
Innocence, heterosexuality, and the queerness of children's literature
(Children's literature and culture / Jack Zipes, series editor)
Routledge, 2014
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First published 2011 ... First issued in paperback 2014"--T.p. verso
Includes bibliographical references (p. 193-201) and index
内容説明・目次
内容説明
Innocence, Heterosexuality, and the Queerness of Children's Literature examines distinguished classics of children's literature both old and new-including L. Frank Baum's Oz books, Laura Ingalls Wilder's Little House series, J. K. Rowling's Harry Potter novels, Lemony Snicket's A Series of Unfortunate Events, and Stephenie Meyer's Twilight series-to explore the queer tensions between innocence and heterosexuality within their pages. Pugh argues that children cannot retain their innocence of sexuality while learning about normative heterosexuality, yet this inherent paradox runs throughout many classic narratives of literature for young readers. Children's literature typically endorses heterosexuality through its invisible presence as the de facto sexual identity of countless protagonists and their families, yet heterosexuality's ubiquity is counterbalanced by its occlusion when authors shield their readers from forthright considerations of one of humanity's most basic and primal instincts.
The book demonstrates that tensions between innocence and sexuality render much of children's literature queer, especially when these texts disavow sexuality through celebrations of innocence. In this original study, Pugh develops interpretations of sexuality that few critics have yet ventured, paving the way for future scholarly engagement with larger questions about the ideological role of children's literature and representations of children's sexuality.
Tison Pugh is Associate Professor in the Department of English at the University of Central Florida. He is the author of Queering Medieval Genres and Sexuality and Its Queer Discontents in Middle English Literature and has published on children's literature in such journals as Children's Literature, The Lion and the Unicorn, and Marvels and Tales.
目次
Selected Contents: Series Editor Foreword Notes on the Text Acknowledgments Introduction 1: "There lived in the Land of Oz two queerly made men": Queer Utopianism and Antisocial Eroticism in L. Frank Baum's Oz Books 2: Eternal Childhood, Taming Tomboyism, and Equine Erotic Triangles in Laura Ingalls Wilder's Little House Series 3: Erotic Heroism, Redemptive Teen Sexuality, and the Queer Republic of Heaven in Philip Pullman's His Dark Materials 4: Dumbledore's Queer Ghost: Homosexuality and Its Heterosexual Afterlives in J. K. Rowling's Harry Potter Novels 5: "What, Then, Does Beatrice Mean?": Hermaphroditic Gender, Predatory Heterosexuality, and Promiscuous Allusions in Daniel Handler / Lemony Snicket's A Series of Unfortunate Events 6: Excremental Eroticism, Carnivalesque Desires, and Gross Adolescence in Eoin Colfer's Artemis Fowl 7: Masochistic Abstinence, Bug Chasing, and the Erotic Death Drive in Stephenie Meyer's Twilight Series 8: Conclusion: Homosexuality and the End of Innocence in David Levithan's Boy Meets Boy
「Nielsen BookData」 より