Caribbean literary discourse : voice and cultural identity in the Anglophone Caribbean
Author(s)
Bibliographic Information
Caribbean literary discourse : voice and cultural identity in the Anglophone Caribbean
University of Alabama Press, c2014
- : trade cloth
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
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  Tochigi
  Gunma
  Saitama
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  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
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  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
  Germany
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  United States of America
Note
Bibliography: p. 251-265
Includes index
Description and Table of Contents
Description
Caribbean Literary Discourse is a study of the multicultural, multilingual, and Creolised languages that characterise Caribbean discourse, especially as reflected in the language choices that preoccupy creative writers.Caribbean Literary Discourse opens the challenging world of language choices and literary experiments characteristic of the multicultural and multilingual Caribbean. In these societies, the language of the master- English in Jamaica and Barbados-overlies the Creole languages of the majority. As literary critics and as creative writers, Barbara Lalla, Jean D'Costa, and Velma Pollard engage historical, linguistic, and literary perspectives to investigate the literature bred by this complex history. They trace the rise of local languages and literatures within the English speaking Caribbean, especially as reflected in the language choices of creative writers.The study engages two problems: first, the historical reality that standard metropolitan English established by British colonialists dominates official economic, cultural, and political affairs in these former colonies, contesting the development of vernacular, Creole, and pidgin dialects even among the region's indigenous population; and second, the fact that literary discourse developed under such conditions has received scant attention.Caribbean Literary Discourse explores the language choices that preoccupy creative writers in whose work vernacular discourse displays its multiplicity of origins, its elusive boundaries, and its most vexing issues. The authors address the degree to which language choice highlights political loyalties and tensions; the politics of identity, self-representation, and nationalism; the implications of code-switching-the ability to alternate deliberately between different languages, accents, or dialects-for identity in postcolonial society; the rich rhetorical and literary effects enabled by code-switching and the difficulties of acknowledging or teaching those ranges in traditional education systems; the longstanding interplay between oral and scribal culture; and the predominance of intertextuality in postcolonial and diasporic literature.
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