Women writing art history in the nineteenth century : looking like a woman
Author(s)
Bibliographic Information
Women writing art history in the nineteenth century : looking like a woman
(Cambridge studies in nineteenth-century literature and culture, 95)
Cambridge University Press, 2014
- : hardback
- Other Title
-
Women writing art history in the 19th century
Available at 31 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
-
Kobe Shoin Women's University Library / Kobe Shoin Women's College Library
: hardback930.262/1412/9512214739
Note
Includes bibliographical references (p. 209-220) and index
Description and Table of Contents
Description
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
Table of Contents
- Introduction
- 1. The profession of art history
- 2. The art of fiction
- 3. Girl guides: travel, translation, ekphrasis
- 4. Women's periods
- 5. Feminine arts
- Conclusion.
by "Nielsen BookData"