Chinese television in the twenty-first century : entertaining the nation
著者
書誌事項
Chinese television in the twenty-first century : entertaining the nation
(RoutledgeCurzon contemporary China series, 121)
Routledge, 2015
- : hbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The past two decades witnessed the rise of television entertainment in China. Although television networks are still state-owned and Party-controlled in China, the ideological landscape of television programs has become increasingly diverse and even paradoxical, simultaneously subservient and defiant, nationalistic and cosmopolitan, moralistic and fun-loving, extravagant and mundane. Studying Chinese television as a key node in the network of power relationships, therefore, provides us with a unique opportunity to understand the tension-fraught and , paradox-permeated conditions of Chinese post-socialism.
This book argues for a serious engagement with television entertainment. rethinking, It addresses the following questions. How is entertainment television politically and culturally significant in the Chinese context? How have political, industrial, and technological changes in the 2000s affected the way Chinese television relates to the state and society? How can we think of media regulation and censorship without perpetuating the myth of a self-serving authoritarian regime vs. a subdued cultural workforce? What do popular televisual texts tell us about the unsettled and reconfigured relations between commercial television and the state? The book presents a number of studies of popular television programs that are sensitive to the changing production and regulatory contexts for Chinese television in the twenty-first century.
As an interdisciplinary study of the television industry, this book covers a number of important issues in China today, such as censorship, nationalism, consumerism, social justice, and the central and local authorities. As such, it will appeal to a broad audience including students and scholars of Chinese culture and society, media studies, television studies, and cultural studies.
目次
Introduction Part I: Entertaining TV - A New Territory of Significance 1, Teaching People How to Live: Shenghuo Programs on Chinese Television 2. "The New Family Mediator": TV Mediation Programs in China's "Harmonious Society" 3. The Long Commute: Mobile Television and the Seamless Social Part II: "Curbing Entertainment" 4. "Clean Up the Screen": Regulating Television Entertainment in the 2000's 5. Rethinking Censorship in China-The Case of Snail House Part III: Commercial Television and the Reconfiguration of History, Memory, and Nationalism 6. Imagining the Other: Foreigners on the Chinese TV Screen 7. When Foreigners Perform the Chinese Nation: Televised Global Chinese Language Competitions 8. Make the Present Serve the Past: Restaging On Guard beneath the Neon Lights in Contemporary China 9. Remoulding Heroes: The Erasure of Class Discourse in the Red Classics Television Drama Adaptation 10. Tianxia Revisited: Family and Empire on the Television Screen
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