書誌事項

Art past art present

David G. Wilkins, Bernard Schultz, Katheryn M. Linduff

Pearson/Prentice Hall, c2009

6th ed

大学図書館所蔵 件 / 1

この図書・雑誌をさがす

注記

Includes bibliographical references (p. 631-633) and index

内容説明・目次

内容説明

For one-semester Art History and Art Appreciation courses. Authoritative and substantive-yet accessible-Art Past, Art Present, 6th edition looks at the historical and cultural contexts of art works and architecture around the world from prehistoric times to the 20th century. The authors recognized the need for an easy-to-use format that is accessible for both teachers and students. Each topic in Art Past, Art Present is organized into two- and four-page units and provides a clear and concise treatment of a select number of artworks, making it easier for instructors to focus on what is important and for students to learn.

目次

Getting Started xii 1. Experiencing Art 1 Experiencing Art 2 How to Experience Art 3 Viewing Art 4 Understanding Style 4 Art, Time, and the Cycles of Life 4 Analyzing Three Works 6 Analyzing Art 8 Analyzing Architecture 8 Analyzing Sculpture 12 Analyzing Ritual Art 14 Analyzing Installation Art 14 Analyzing Painting and Related Media 15 The Artist in History 18 2. prehistoric Art 21 Introduction to Prehistoric Art 22 The Paleolithic Period 22 The Discovery of Paleolithic Painting 23 Paleolithic Art 23 The Neolithic Period 25 Neolithic Art and Architecture 25 Prehistoric Art and the Prehistoric Artist 28 points of contact Prehistoric Figurines of Women 29 theme Ritual and Art 30 3. ancient Art 33 Introduction to Ancient Art 34 History 35 Art of Ancient Societies 36 art past/art present The Concept of the The Ancient Artist 37 Classical in the West 36 points of contact Greek Artists/Scythian Patrons 37 theme The Presence of the Artist 38 Sumerian Art 40 Ancient Egyptian Art 44 History 44 Religion 46 Art of Ancient Egypt 46 The Egyptian Artist 47 Ancient Egyptian Art: The Palette of Narmer 48 The Egyptian Pyramids 50 The Egyptian Temple 52 technique Post-and-Lintel Construction 54 technique How to Read Architectural Diagrams 55 Egyptian Tomb Paintings and Painted Reliefs 56 technique Figure-Ground Relationships 57 The Indus Valley Civilization 58 Aegean Art: Minoan and Mycenaean 60 Ancient China: The Shang Dynasty 64 technique Chinese Piece-Mold Bronze Casting 65 Assyrian and Early Persian Art 66 Mesoamerica: The Olmec 68 Etruscan Art 70 Ancient Greek Art 72 History 72 Intellectual and Scientific Activities 74 Religion 75 Ancient Greek Art 75 The Ancient Greek Artist 75 Greek Vase Painting 76 The Development of Greek Sculpture 78 technique Greek Lost-Wax Bronze Casting 81 technique Contrapposto in Sculpture 83 technique The Classical Orders 84 art past/art present The Impact of the Ancient Greek Orders 85 Greek Doric Architecture 86 technique Greek Temple Construction 87 The Parthenon, Athens 88 4. later ancient Art, 400 bce to 200 ce 93 Introduction to Later Ancient Art 94 points of contact The Silk Road 95 theme Engineering 96 Nomadic Art in Siberia: Pazyryk 98 The Qin Empire in China 102 Hellenistic Art 104 History 104 Art of the Hellenistic Period 104 Hellenistic Painting 104 Hellenistic Sculpture in Pergamon 106 The Han Dynasty in China 108 Early Buddhist Art 110 Dongson Culture in Vietnam 112 The Art of the Roman Republic 114 History 115 Republican Architectural Developments 115 The Roman House and Villa 116 The Art of the Roman Empire 118 History 118 The City of Rome 119 Roman Imperial Art 121 Technology, Organization, and Engineering 122 Roman Religion and the Mystery Religions 123 The End of Rome's Empire 124 The Roman Artist 124 Roman Frescoes and Illusionism 126 technique Fresco Painting 128 technique Illusionism 129 Roman Architecture: The Flavian Amphitheater 130 technique Roman Engineering: The Arch, The Vault, and Concrete 132 Roman Architecture: The Pantheon, Rome 136 Mesoamerican Art: Teotihuacan 138 5. Art From 200 to 1000 143 Introduction to Art from 200 to 1400 144 art past/art present Naming the Middle Ages in Europe 144 History 146 Art and the Christian Church 147 A Denial of Naturalism 147 The Scroll and Book 147 The Artist 148 points of contact Muslims in China 149 theme Religious Architecture 150 Jewish Art: The Synagogue at Dura Europos 152 Early Christian Art 154 History 154 Art 155 Early Christian Architecture 156 Buddhist Architecture and Painting at Ajanta, India 158 The Shinto Shrine at Ise, Japan 160 Byzantine Art 162 History 162 The Icon and Iconoclasm 163 The Byzantine Artist 163 Byzantine Architecture: Hagia Sophia 164 Byzantine Art: San Vitale, Ravenna 166 technique Mosaic 169 Anglo-Saxon Metalwork and Hiberno- Saxon Illumination 170 The Chinese Imperial City of Chang'An 172 Buddhist Art at Horyuji 176 technique Dougong-style Bracketing 179 Hindu Art at Ellora 180 Islamic Art at Cordoba 182 Carolingian and Ottonian Art 186 The Monastery in the West 188 Buddhist Art in Indonesia 190 Chinese Art: Landscape Painting 192 art past/art present Chinese Aesthetic Theory 195 6. Art from 1000 to 1400 197 Introduction to Art from 1000 to 1400 198 History 199 points of contact Amber Necklaces in Burials in Eastern Asia 201 theme Narrative Art 202 Romanesque Art in Europe 204 History 205 Art and the Pilgrim 205 The Bayeux "Tapestry" 206 The Romanesque Artist in Europe 206 Romanesque Architecture at Conques 208 Romanesque Sculpture 210 Moai Ancestor Figures, Polynesia 212 Angkor Wat: Cult of the God-King 214 The Japanese Narrative Scroll 216 Gothic Art 220 Abbot Suger 221 History 221 Art 221 The Franciscans 223 The Gothic Artist 223 The Gothic Cathedral: Chartres 224 technique Proportions of Gothic Cathedrals, 1160-1230 224 technique Gothic Engineering 228 Gothic Sculpture 230 Gothic Stained Glass 232 technique Stained-Glass Technique 233 The Great Mosque at Jenne 234 The Chinese Capital City in Beijing: The Forbidden City 236 Early Italian Painting 238 Giotto, The Arena Chapel Frescoes 240 technique Tempera and Fresco 242 The Royal Art of African Kingdoms 244 7. Fifteenth-Century Art 247 Introduction to Fifteenth-Century Art 248 Fifteenth-Century Worldwide Developments 250 The Idea of a Renaissance 252 Naming the Styles 252 European History 252 Italian Renaissance Humanism and Art Theory 253 European Intellectual Activity 254 Changing Patterns of Patronage in Europe 254 The Fifteenth-Century Artist in Europe 257 POINTS OF CONTACT The Travels of Marco Polo 257 theme Portraiture 258 Early Renaissance Sculpture in Florence 260 technique Carving in Wood 261 Flemish Painting: The Limbourg Brothers 262 Flemish Painting: Robert Campin 264 Italian Renaissance Painting: Masaccio 266 Scientific Perspective 268 Flemish Painting: Hubert and Jan van Eyck 270 Flemish Painting: Jan van Eyck 272 technique The Development of Oil Painting in Flanders 274 Italian Renaissance Architecture: Filippo Brunelleschi 276 Machu Picchu: The Peruvian Mountain Retreat 278 The Italian Renaissance Palace 280 Portraiture 282 Italian Renaissance Painting: Andrea Mantegna 286 technique Foreshortening 287 Italian Renaissance Painting: Sandro Botticelli 288 Italian Renaissance Painting: Leonardo da Vinci 290 Italian Renaissance Painting: Leonardo's Last Supper 292 Italian Renaissance Sculpture: Michelangelo's Pieta in St. Peter's 294 8. Sixteenth-Century Art 297 Introduction to Sixteenth-Century Art 298 History 299 Intellectual and Scientific Developments 300 Religious Reform and Art during the Sixteenth Century 301 The Sixteenth-Century Artist 304 points of contact Chinese Porcelain in Europe 305 Theme The Nude/The Body 306 Italian Renaissance Sculpture: Michelangelo 308 technique Stone Sculpture 309 Italian High Renaissance Portraiture 310 German Printmaking: Albrecht Durer 312 technique Printmaking: Engraving and Woodcut 314 New St. Peter's, Rome 316 Michelangelo, Sistine Chapel Ceiling 318 art past/art present Vasari and Modern Scholarship 321 Raphael, Stanza della Segnatura 322 High Renaissance Painting in Venice 324 Hieronymus Bosch, "Garden of Earthly Delights" Triptych 326 German Painting: Matthias Grunewald, Isenheim Altarpiece 328 Titian's Altarpieces 330 technique Venetian Painting 332 Later Michelangelo and the Development of Mannerism 334 Early European Landscape Painting 336 Sixteenth-Century Painting 338 Islamic Art of the Ottomans 340 Veronese and the Impact of the Counter-Reformation 342 The Art of Zen Buddhism in Japan 344 9. Seventeenth-Century Art 347 Introduction to Seventeenth-Century Art 348 History 348 Intellectual and Scientific Activity 350 The Styles of Seventeenth-Century European Art 351 Seventeenth-Century European Art 351 The Seventeenth-Century Artist in Europe 352 points of contact "Seeing" the New World 355 theme Relating to Nature 356 Seventeenth-Century Architecture in Japan 358 Caravaggio and His Influence 360 Baroque Genre Painting 362 Peter Paul Rubens 364 Bernini's Works for St. Peter's 366 The Dutch Baroque Group Portrait 368 Mughal Art of India: The Taj Mahal 370 Baroque Architecture: Francesco Borromini 372 Bernini, Ecstasy of Saint Teresa 374 technique The Art of Drawing: Rembrandt 376 technique Printmaking: Etching and Drypoint 378 Spanish Painting: Diego Velazquez 380 Baroque Classicism: Nicolas Poussin 382 Rembrandt: Late Paintings 384 Dutch Still-Life Painting 386 The Palace at Versailles 388 Japanese Screens and Architecture 390 European Landscape Painting 392 10. Eighteenth-Century Art 395 Introduction to Eighteenth-Century Art 396 History 397 Intellectual and Scientific Activity 399 Eighteenth-Century Art 400 The Eighteenth-Century Artist 401 points of contact Chinoiserie 405 theme Representing Women 406 Eighteenth-Century Painting in Europe 408 Eighteenth-Century Art in Korea 412 Rococo Architecture and Sculpture 414 Eighteenth-Century Portraiture 416 Neoclassical Architecture 418 Neoclassical Painting and Sculpture 420 11. Nineteenth-Century Art 425 Introduction to Nineteenth-Century Art 426 History 427 The Industrial Revolution around the World 429 European Intellectual and Scientific Activities 430 Art 431 art past/art present Looking Beyond the Art: Romanticism 431 The Impact of French Painting on World Art 433 The Styles of Nineteenth-Century Art in the West 434 The Nineteenth-Century Artist 436 points of contact British Architects in India 437 theme The Artist as a Revolutionary 438 The Continuation of Neoclassicism 440 Francisco Goya 442 Romanticism 444 Romantic Landscape Painting 446 Japanese Woodblock Prints 448 technique Japanese Woodblock Technique 449 Honore Daumier and the Political Print 452 technique Lithography 453 Romantic Revival Architecture 454 American Romantic Painting 456 Revolutionary Art vs. Academic Art 458 New Materials and Engineering in Architecture 460 technique New Materials in Architecture 463 Late Nineteenth-Century Revival Architecture 464 Edouard Manet 466 Early Photography and Photographic Technique 468 Late Nineteenth-Century Sculpture 470 Impressionism 472 technique Impressionism 474 Edgar Degas, Berthe Morisot, and Mary Cassatt 476 American Realism: Thomas Eakins and Henry Tanner 478 Auguste Rodin and Camille Claudel 480 Winslow Homer 482 technique Watercolor and Gouache 483 Post-Impressionism: Gauguin and Seurat 484 Post-Impressionism: Vincent Van Gogh 486 art past/art present The Value of Art: Van Gogh 488 Post-Impressionism: Paul Cezanne 490 The Beginnings of the Skyscraper 492 Edvard Munch 494 12. Art from 1900 to 1949 497 Introduction to Art from 1900 to 1949 498 History 498 Intellectual and Scientific Activity 500 Art from 1900 to 1949 501 The Artist 504 theme The Home and the Palace 506 Fauvism 508 African Art and Ritual 510 Photography 512 Cubism and its Influence 514 technique Collage and Assemblage 519 Native American Art 520 art past/art present Women in Pueblo Society 523 Frank Lloyd Wright, Robie House 524 technique The Cantilever 525 Native American Ceremonial Art from the Northwest Coast 526 Abstraction in Sculpture 528 Malevich and the Russian Avant-Garde 530 German Expressionism: Die Brucke and Der Blaue Reiter 532 Fantasy 534 Dada 536 De Stijl and the Bauhaus 540 Diego Rivera and Mexican Mural Painting 544 Surrealism 548 Modernism in American Painting 552 Pablo Picasso, Guernica 556 Sculpture of the 1930s and 1940s 558 International Style Architecture 562 13. Art from 1950 to 1999 565 The 1950s 566 The 1960s 576 The 1970s 580 The 1980s 586 The 1990s 596 14. Art in the New Millennium 607 Art in the New Millennium 608 World Map 622 Glossary 623 Bibliography 631 Index 634 Picture Credits 651 Text Credits 655 Acknowledgements 655 Maps Prehistoric Europe and Africa 24 The Ancient Near East 41 Ancient Egypt 44 Ancient Greece 73 Ancient Asia 111 Ancient Italy 114 Mesoamerica 138 The Near East 153 Asia 161 Medieval Europe 163 Japan 219 14th-century Europe 223 Africa 245 15th-century Europe 253 16th-century Europe 300 17th-century Europe 349 18th-century Europe 397 19th-century Europe 428 19th-century United States and Canada 454 20th-century Europe 499 20th-century United States 501 Sub-Saharan West Africa 511 World 622

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詳細情報

  • NII書誌ID(NCID)
    BB16891920
  • ISBN
    • 9780132357166
  • LCCN
    2007060108
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Upper Saddle River, N.J.
  • ページ数/冊数
    xv, 655 p., [1] p. of plates
  • 大きさ
    28 cm
  • 分類
  • 件名
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