Bollywood Shakespeares
著者
書誌事項
Bollywood Shakespeares
（Reproducing Shakespeare : new studies in adaptation and appropriation）
Palgrave Macmillan, 2014
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
目次
- Introduction: Shakespeare and Bollywood: the Difference a World Makes
- Craig Dionne and Parmita Kapadia PART I: BOLLYWOOD'S DEBT TO THE THEATER: AESTHETIC AND CULTURAL MULTIVALENCY 1. Parsi Shakespeare: The Precursor to 'Bollywood Shakespeare'
- Vikram Singh Thakur 2. Bollywood Battles the Bard: The Evolving Relationship Between Film and Theater in Shakespeare Wallah
- Parmita Kapadia PART II: SHAKESPEARE'S LOCAL FACE: USING SHAKESPEARE TO REARTICULATE INDIAN IDENTITIES 3. The Ambiguities of Bollywood Conventions and the Reading of Transnationalism in Vishal Bhardwaj's Maqbool
- Rosa Maria Garcia Periago 4. No Country For Young Women: Empowering Emilia in Vishal Bhardwaj's Omkara
- Mike Heidenberg 5. The Global as Local / Othello as Omkara
- Brinda Charry and Gitanjali Shahani PART III: BOLLYWOOD'S CULTURAL CAPITAL: BOLLYWOOD SELLS SHAKESPEARE 6. Interrogating 'Bollywood Shakespeare': Reading Rituporno Ghosh's The Last Lear
- Paromita Chakravarti 7. The Sounds of India in Supple's Twelfth Night
- Kendra Preston Leonard 8. Comedies of Errors: Shakespeare, Indian Cinema, and The Poetics of Mistaken Identity
- Richard Allen Afterword: Shakespeare and Bollywood
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