Ancient comedy and reception : essays in honor of Jeffrey Henderson

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Ancient comedy and reception : essays in honor of Jeffrey Henderson

edited by S. Douglas Olson

De Gruyter, c2014

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Includes bibliographical references and index

English, French, Italian, German or Spanish

内容説明・目次

内容説明

This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns.

目次

  • ANCIENT COMEDY AND RECEPTION: ESSAYS IN HONOR OF JEFFREY HENDERSON Foreword S. Douglas Olson Ancient Comedy and Receptions 1. Exchanging Metaphors in Cratinus and Aristophanes Zachary P. Biles, Franklin and Marshall College 2. Comic Parrhesia and the Paradoxes of Repression Ralph M. Rosen, University of Pennsylvania 3. Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes James Robson, Open University 4. Ancient Comedy and Historiography: Aristophanes Meets Herodotus Heinz-Gunther Nesselrath, University of Goettingen 5. Epiphany of a Serious Dionysus in a Comedy? Oliver Taplin, Oxford University 6. Toponimi e immaginario sessuale nella Lisistrata di Aristofane Giuseppe Mastromarco, Universita degli Studi di Bari 7. Dionysus' Choice in Frogs and Aristophanes' Paraenetic Pedigree Mark Alonge, Independent Scholar 8. Two Phaedras: Euripides and Aristophanes? J.R. Green, University of Sydney/Institute of Classical Studies, University of London 9. Plato's Aristophanes Charles Platter, University of Georgia 10. Menander's Samia and the Phaedra Theme Alan H. Sommerstein, University of Nottingham 11. Dynamics of Appropriation in Roman Comedy: Menander's Kolax in Three Roman Receptions (Naevius, Plautus and Terence's Eunuchus) Michael Fontaine, Cornell University 12. Libera lingua loquemur ludis Liberalibus. Gnaeus Naevius as a Latin Aristophanes? Simone Beta, Universita di Siena 13. Plautus und die Techniken des Improvisationstheaters Eckard Lefevre, Albert-Ludwigs-Universitat 14. Lege dura vivont mulieres: Syra's Complaint about the Sexual Double Standard (Plautus Merc. 817-29) Boris Dunsch, Philipps-Universitat Marburg 15. "Letting It All Hang Out": Lucian, Old Comedy and the Origins of Roman Satire Keith Sidwell, University of Calgary 16. Old Comedy at Rome: Rhetorical Model and Satirical Problem Ian Ruffell, University of Glasgow 17. Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction Niall W. Slater, Emory University 18. From Drama to Narrative: The Reception of Comedy in the Ancient Novel Steven D. Smith, Hofstra University 19. Greek Culture as Images: Menander's Comedies and Their Patrons in the Roman West and the Greek East Sebastiana Nervegna, University of Sydney 20. The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander Niall W. Slater, Emory University Medieval, Renaissance and Early Modern Receptions 21. Medieval Vernacular Versions of Antique Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus' Amphitryon Laura Kendrick, Universite de Versailles 22. Aristofane mascherato. Un secolo (1415-1504) di fortuna e 'sfortuna' Ludovica Radif, Universita di Genova 23. L'influence de Plaute sur la definition du comique chez Giovanni Pontano Helene Casanova-Robin, Universite Paris-Sorbonne (Paris IV) 24. Strepsiades' Latin Voice: Two Renaissance Translations of Aristophanes' Clouds John Nassichuk, University of Western Ontario 25. The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell'Arte Francesca Schironi, University of Michigan 26. Aristophanes in England, 1500-1660 Robert S. Miola, Loyola University in Maryland 27. Exaggerating Terence's Andria: Steele's The Conscious Lovers, Bellamy's The Perjur'd Devotee and Terentian Criticism Maik Goth, Ruhr-Universitat Bochum 28. Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text Adele Scafuro, Brown University 29. Moliere and the Roman Comic Tradition Philip Ford, Clare College, Cambridge 30. Jacob Masen's Rusticus imperans (1657) and Ancient Theater Gesine Manuwald, University College London 31. La recepcion de Plauto y Terencio en la literatura espanola Benjamin Garcia-Hernandez, Rosario Lopez Gregoris y Carmen Gonzalez-Vazquez, Universidad Autonoma de Madrid 32. Reform: A Farce Modernised from Aristophanes (1792) Robert Tordoff, York University Modern Receptions 33. Polos und Polis: Aristophanes? Voegel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks Bernhard Greiner, Universitat Tubingen 34. Translations of Aristophanes in Italy in the 19th Century Maria Luisa Chirico, Seconda Universita degli Studi di Napoli 35. Close Encounters of the Comic Kind: Aristophanes' Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s Gonda Van Steen, University of Florida 36. Rodgers and Hart's The Boys from Syracuse: Shakespeare Made Plautine Timothy J. Moore, University of Texas at Austin 37. She (Don't) Gotta Have It: African-American Reception of Lysistrata Kevin J. Wetmore, Jr., Loyola Marymount University 38. "Es ist, um aus der Rustung zu fahren!": Erich Kastners Adaption der Acharner des Aristophanes Peter v. Moellendorff, Justus-Liebig-Universitat Giessen 39. Lysistrata on Broadway Marina Kotzamani, University of the Peloponnese 40. "Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs": The Reception of Aristophanes in the Modern Musical Theater Simone Beta, Universita di Siena 41. Aristophanes at the BBC, 1940s-1960s Amanda Wrigley, University of Westminster 42. Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes' Frogs Graham Ley, University of Exeter 43. Ionesco's New and Old Comedy David Konstan, New York University 44. Aristophanes in the Cinema
  • or, the Metamorphoses of Lysistrata Martin M. Winkler, George Mason University 45. Who's Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy Martina Treu, IULM - Libera Universita di Lingue e Comunicazione, Milan 46. Aristophanes in Israel: Comedy, Theatricality, Politics Nurit Yaari, Tel Aviv University 47. Culture, Education and Politics: Greek and Roman Comedy in Afrikaans Betine van Zyl Smit, University of Nottingham 48. The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes' Peace and Ecclesiazusae Elizabeth Scharffenberger, Columbia University 49. Eschyle et Euripide entre tragedie et comedie : polyphonie et interpretation dans quelques traductions recentes des Grenouilles d'Aristophane Ariane Eissen, Universite de Poitiers Myrto Gondicas, freelance translator 50. Business as Usual: Plautus' Menaechmi in English Translation J. Michael Walton, University of Hull

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