Ancient Greek women in film
著者
書誌事項
Ancient Greek women in film
（Classical presences）
Oxford University Press, 2013
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注記
"This volume had its genesis in a panel of the same title organized at Feminism & Classics V: Bringing It All Back Home which took place at the University of Michigan in May 2008"--acknowledgements, p. v
Includes bibliographical references (p. [331]-364) and index
内容説明・目次
内容説明
This volume examines cinematic representations of ancient Greek women from the realms of myth and history. It discusses how these female figures are resurrected on the big screen by different filmmakers during different historical moments, and are therefore embedded within a narrative which serves various purposes, depending on the director of the film, its screenwriters, the studio, the country of its origin, and the sociopolitical context at the time of its
production.
Using a diverse array of hermeneutic approaches (such as gender theory, feminist criticism, psychoanalysis, viewer-response theory, and personal voice criticism), the essays aim to cast light on cinema's investments in the classical past and decode the mechanisms whereby the women under examination are extracted from their original context and are brought to life to serve as vehicles for the articulation of modern ideas, concerns, and cultural trends. The volume thus aims to investigate not
only how antiquity on the screen depicts, and in this process distorts, compresses, contests, and revises, antiquity on the page but also, more crucially, why the medium follows such eclectic representational strategies vis-a-vis the classical world.
目次
- ACKNOWLEDGEMENTS
- LIST OF CONTRIBUTORS
- LIST OF FIGURES
- INTRODUCTION
- KONSTANTINOS P. NIKOLOUTSOS
- I. HELEN
- II. MEDEA
- III. PENELOPE
- IV. OTHER MYTHICAL WOMEN
- V. HISTORICAL WOMEN
- BIBLIOGRAPHY
- INDEX
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