For ever Godard
著者
書誌事項
For ever Godard
Black Dog, c2007
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
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  福島
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  東京
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  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Bibliography: p. 438-442
Includes index
収録内容
- For ever divided / Raymond Bellour
- Introduction
- Illustrated filmography
- The Godard paradox / Serge Daney
- Godard and asychrony / Keith Reader
- The commerce of cinema / Colin MacCabe
- Home-movies : the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard / Catherine Grant
- Godard in the museum / Antoine de Baecque
- Here and elsewhere : projecting Godard / James Quandt
- A cinema of memory in the future tense : Godard, trailers, and Godard trailers / Vinzenz Hediger
- The forms of the question / Nicole Brenez
- Procession and projection : notes on a figure in the work of Jean-Luc Godard / Christa Blümlinger
- "Gravity and grace" : on the "sacred" and cinematic vision in the films of Jean-Luc Godard / Vicki Callahan
- Altered motion and corporal resistance in France/tour/détour/deux/enfants / Michael Witt
- Godard, Hitchcock, and the cinematographic image / Jacques Rancière
- The written screen : JLG and writing as the accursed share / Philippe Dubois
- Recital : three lyrical interludes in Godard / Adrian Martin
- JLG/ECM / Laurent Jullier
- Music, love, and the cinematic event / James S. Williams
- "Sa voix" / Roland-François Lack
- Godard's two historiographies / Junji Hori
- The (im)possible history / Monica Dall'Asta
- Amamnesis and bearing witness : Godard/Lanzmann / Libby Saxton
- The index and erasure : Godard's approach to film history / Trond Lundemo
- "A form that thinks" : Godard, Blanchot, Citation / Leslie Hill
内容説明・目次
内容説明
For over 50 years now, Jean-Luc Godard's work in cinema and video has innovated, provoked and inspired. Since the completion in 1998 of Histoire(s) du cinema, Godard has featured strongly in debates about audiovisual art and culture, especially regarding questions of historical memory, technological change, and the future of cinema in all its forms. This historical moment provides the perfect opportunity for a critical reassessment and redefinition of Godard's entire corpus and its key role within contemporary culture. With 22 lavishly illustrated chapters, as well as a photo essay and visual filmography, "For Ever Godard" aims to do critical justice to the full sweep of Godard's artistic interests and preoccupations. The volume presents material by scholars and practitioners from film and media studies, art history, musicology, philosophy and aesthetics, museum studies, French studies, European history, cultural studies, and feminism and gender studies.
As an important marker of current methodologies, research and practice across these different disciplinary areas, "For Ever Godard" is an invaluable resource and of major importance to current discourses and debates on cinema and visual culture.
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