Authorship and first-person allegory in late medieval France and England

著者

    • Kamath, Stephanie A. V. G.

書誌事項

Authorship and first-person allegory in late medieval France and England

Stephanie A. Viereck Gibbs Kamath

(Gallica, v. 26)

D.S. Brewer, 2012

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注記

Bibliography: p. [177]-195

Includes index

内容説明・目次

内容説明

An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages. The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose thenarrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston.

目次

Introduction "Comment ot nom": Allegory and Authorship in the Roman de la Rose and the Pelerinage de la Vie Humaine "What so myn auctour mente": Allegory and Authorship in Geoffrey Chaucer's Dreams "Thereof was I noon auctor": Allegory and Thomas Hoccleve's Authority Verba Translatoris: Allegory and John Lydgate's Literary Tradition Coda Bibliography

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