Jewish book art between Islam and Christianity : the decoration of Hebrew bibles in medieval Spain
Author(s)
Bibliographic Information
Jewish book art between Islam and Christianity : the decoration of Hebrew bibles in medieval Spain
（The medieval and early modern Iberian world, v. 19）
Brill, 2004
- Other Title
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Omanut Yehudit ben Islam le-Natsrut
Available at 1 libraries
Note
First published in Hebrew in 2001. With revisions and additions
Includes bibliographical references (p. 225-234) and indexes
Description and Table of Contents
Description
This book discusses the decoration types of Sephardic illuminated Bibles. Unlike illuminated Passover manuscripts from the same period with their rich figurative and narrative picture cycles, Bibles are almost exclusively aniconic. Whereas the former borrow heavily from Christian art, the Bibles are entirely indebted to Islamic culture. The volume elaborates in particular on the cultural history of the decorative motifs and types of ornamentation in an era of cultural transition in Iberia and culture struggle within Spanish Jewry. The first two chapters describe the cultural, social and artistic background in which the Bibles were produced, whereas the other chapters describe the works of the different schools and discuss them within different cultural, historical and social contexts.
The text is accompanied by 10 color plates and 141 black-and-white figures.
Table of Contents
Preface .. ix
List of Illustrations .. xiii
List of Maps and Diagrams .. xxv
Introduction .. 1
Chapter One Acculturation, Assimilation, and Convivencia:
The Iberian Peninsula in the Middle Ages .. 10
Islam and Christianity .. 10
The Population of Al-Andalus .. 15
Minorities in the Christian Lands .. 16
The Mudejar Communities .. 17
The Jewish Communities .. 19
Cultural Exchange .. 20
Chapter Two The Artistic Environment of Illuminated Sephardic Bibles .. 34
Manuscripts of the Qur"an .. 34
Hebrew Manuscripts from the Middle East .. 38
Christian Art in Spain .. 50
The Art of the Mudejares .. 54
Chapter Three The Castilian Workshops of the Thirteenth Century .. 57
The Earliest Illuminated Bible .. 57
From the Marseilles Bible to the Damascus Keter .. 61
The Parma Bible .. 68
Joseph ben Judah ibn Merwas .. 88
Echoes of Christian Art .. 92
Chapter Four Joshua ibn Gaon and Joseph Hatsarfati .. 98
Chapter Five The Catalan Workshops of the Fourteenth Century .. 131
The Perpignan Bible and its Relatives .. 131
Bibles from Barcelona and its Environs .. 141
The Foa and Farhi Bibles and the Renewal of Islamic Motifs .. 150
The King's Bible .. 154
The Saragossa Bible .. 155
A Closer Look at the Temple Depictions .. 156
Decoration of the Masorah Magna .. 168
Chapter Six Cultural Transition and the Art of the Hebrew Book .. 171
Islamic Culture, Aniconism, and the Sephardic Bibles .. 173
Christian Art, Pictorial Narrative, and the Sephardic Haggadot .. 181
The Cultural Climate within Late Medieval Sephardic Jewry .. 185
Joshua ibn Gaon and Joseph Hatsarfati .. 199
Maimonides' Texts Decorated .. 200
Chapter Seven Castilian Schools of the Fifteenth Century .. 203
Micrographic Decoration in New Castile .. 204
The First Kennicott Bible .. 212
French and Italian Influences .. 215
Conclusion .. 220
Bibliography .. 225
General Index .. 235
Index of Manuscripts .. 242
by "Nielsen BookData"