Boulez, music and philosophy
著者
書誌事項
Boulez, music and philosophy
（Music in the twentieth century）
Cambridge University Press, 2014
- : pbk
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注記
"First published 2010"--T.p. verso
"First paperback edition 2014"--T.p. verso
Includes bibliographical references (p. [258]-273) and index
内容説明・目次
内容説明
While acknowledging that Pierre Boulez is not a philosopher, and that he is wary of the potential misuse of philosophy with regard to music, this study investigates a series of philosophically charged terms and concepts which he uses in discussion of his music. Campbell examines significant encounters which link Boulez to the work of a number of important philosophers and thinkers, including Adorno, Levi-Strauss, Eco and Deleuze. Relating Boulez's music and ideas to broader currents of thought, the book illuminates a number of affinities linking music and philosophy, and also literature and visual art. These connections facilitate enhanced understanding of post-war modernist music and Boulez's distinctive approach to composition. Drawing on a wide range of previously unpublished documentary sources and providing musical analysis of a number of key scores, the book traces the changing musical, philosophical and intellectual currents which inform Boulez's work.
目次
- 1. Preparing the ground
- 2. Early influences and movements
- 3. Dialectic, negation and binary oppositions
- 4. Boulez, Adorno and serial critique
- 5. Deduction and the scientific model
- 6. Serialism and structuralism
- 7. Post-structuralist encounters
- 8. Boulez, difference and repetition
- 9. Expanding the virtual
- 10. Continuity and discontinuity of space and time
- Conclusion
- Bibliography.
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