Elizabeth Peyton
著者
書誌事項
Elizabeth Peyton
Gagosian Gallery , Distributed by Rizzoli International Publications, c2012
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Published on the occasion of the exhibition of the same name held May 27-July 28, 2011, at Gagosian Gallery, Paris
Interview and essay in English and French
"Hans Ulrich Obrist in conversation with Elizabeth Peyton. A selection from Marcel Proust by Edmund White"--T.p
Includes bibliographical references (p. 114-[119])
内容説明・目次
内容説明
This volume features new paintings and drawings by the American painter Elizabeth Peyton, published on the occasion of her first solo exhibition at Gagosian Gallery in Paris. With the statement "A painter can say all he wants to with fruit, flowers, or even clouds," Edouard Manet evoked the genre of still-life painting to rebuff the heroic and overcharged history paintings of his time. More than a century later, Elizabeth Peyton’s jewel-like paintings reaffirm Manet’s belief in the quiet potency of an enduring intimiste genre. Although Peyton’s paintings infer a deep knowledge of historical artistic forbears from Goya to Warhol, this awareness is processed through an instinctual understanding of the time in which she lives. Combining her insights with modest scale, a lush yet tremulous palette, and extreme graphic sensitivity, her paintings and drawings are testaments to a passion for beauty in all its forms, from the sublime to the everyday. Portraits of artists both historical and contemporary are rendered from photographs or from life. Peyton imbues each likeness with a startling freshness and immediacy, although like a still life it is distanced from its subject.
「Nielsen BookData」 より