Paul in Athens : the popular religious context of Acts 17
著者
書誌事項
Paul in Athens : the popular religious context of Acts 17
(Wissenschaftliche Untersuchungen zum Neuen Testament, 341)
Mohr Siebeck, c2014
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [155]-185) and indexes
内容説明・目次
内容説明
Paul's visit to Athens, in particular his Areopagus speech, is one of the most well known excerpts of early Christian literature. It is the most significant speech by Paul to a Gentile audience in Acts and functions as a literary crest of the overall narrative. Yet at the same time the speech is brief and possesses few specifically Christian terms. Critical analyses describe it as eclectic-an ad hoc blend of Greek and Jewish elements. In this study, Clare K. Rothschild explores how the apparently miscellaneous and impromptu components of Paul's speech and visit to Athens cohere when compared to the nexus of ubiquitously popular second-century traditions crystallized around the ancient Cretan prophet Epimenides. Precursor to the Rip Van Winkle legend, Epimenides was numbered among the seven sages, dubbed by Plato, and venerated as cult transfer figure par excellence for transferring Cretan Zeus worship to Athens. Rothschild exposes correspondences between Epimenidea and the Lukan Paul, focusing on, but not limited to, the altar inscribed to "an unknown god" and the saying, "In him we live and move and have our being" (17:28a). Scholars have overlooked the significance of Epimenidean traditions by clinging too fervently to the presence of Stoic and Epicurean philosophers in Acts 17. The present treatment does not deny connections between Paul's Areopagitica and popular philosophical ideals, but seeks to show that, in tandem with these motifs, the episode of Paul in Athens utilizes popular 'religious' topoi to reinforce the Lukan theme of cult transfer.
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