Embodied encounters : new approaches to psychoanalysis and cinema
著者
書誌事項
Embodied encounters : new approaches to psychoanalysis and cinema
Routledge, 2015
- : pbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
What is the role of the unconscious in our visceral approaches to cinema?
Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a guiding principle that embodied and material existence can, and perhaps ought to, also allow for the unconscious. The contributors embrace work which has brought 'the body' back into film theory and question why psychoanalysis has been excluded from more recent interrogations.
The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image. In three parts the book presents examinations of both classic and contemporary films including Black Swan, Zero Dark Thirty and The Dybbuk:
Part 1 - The Desire, the Body and the Unconscious
Part 2 - Psychoanalytical Theories and the Cinema
Part 3 - Reflections and Destructions, Mirrors and Transgressions
Embodied Encounters is an eclectic volume which presents in one book the voices of those who work with different psychoanalytical paradigms. It will be essential reading for psychoanalysts and psychotherapists, scholars and students of film and culture studies and film makers.
目次
Acknowledgements. Contributors' Biographical Information. Introduction By the Editor. Part 1 - The Desire, the Body and the Unconscious. Emma Wilson, On Catherine Breillat, the Body and the Unconscious. Agnieszka Piotrowska, On Nachtraglikheit, Broomfield and Aileen Wuornos Elizabeth Cowie, On Embodied Documentary and Jerzy Grotowski. Julie Sexeny, On Jessica Benjamin and Black Swan. John Izod and Joanna Dogalis, On Jung, and the Embodiment in Terence Malick. Part 2 - Psychoanalytical Theories and the Cinema. Luke Hockley, On Somatic Cinema. Stephen Frosh, On Dybbuk and Partial Objects. Carla Ambrosio Garcia, On Jayne Parker and material encounter with film. Agnieszka Piotrowska, On Zero Dark Thirty and Lacan. Ben Tyrer, On Black Swan and Feminine Jouissance. Michael Renov, On Documentary and Psychoanalysis. Part 3 Reflections and Destructions, Mirrors and Transgressions. Robert Burgoyne, On Destroying and Creating in Douglas Gordon Cory Arcangel. Vicky Lebeau, On Winnicott and Lacan in the Mirror Stage. Carol MacGillivray On Entering the Screen through the Diasynochronscope. Helena Bassil-Morozow, On loss in Andrei Tarkovsky. Naomi Segal, On First and Second Person in We need to talk about Kevin. Nicholas Muellner, On the Non-film in the Psychoanalyst's Head.
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