Mise en scène and film style : from classical Hollywood to new media art
Author(s)
Bibliographic Information
Mise en scène and film style : from classical Hollywood to new media art
（Palgrave close readings in film and television / series editors, John Gibbs and Douglas Pye）
Palgrave Macmillan, 2014
- : hbk
- : pbk
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Note
Includes bibliographical references (p. 217-225) and index
Description and Table of Contents
Description
Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scene and dispositif, to illuminate a wide range of film and new media examples.
Table of Contents
Contents List of Figures Acknowledgements Prologue: At the Ballet Ruse 1. A Term That Means Everything, and Nothing Very Specific 2. Aesthetic Economies: The Expressive and the Excessive 3. What Was Mise en scene? 4. The Crises (1): Squeezed and Stretched 5. The Crises (2): The Style It Takes 6. Sonic Spaces 7. A Detour via Reality: Social Mise en scene 8. Cinema, Audiovisual Art of the 21st Century 9. The Rise of the Dispositif Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak Notes Bibliography
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