Law and creativity in the age of the entertainment franchise
Author(s)
Bibliographic Information
Law and creativity in the age of the entertainment franchise
(Cambridge intellectual property and information law)
Cambridge University Press, 2014
- : Hardback
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Much of the real value in the entertainment industry today lies in franchises - fictional universes, entertainment concepts, reinventions of cultural traditions and celebrity - that create an ongoing presence in the marketplace. The entertainment franchise now shapes the global cultural landscape. However, scholars have devoted little attention to how intellectual property law has changed or is being stretched in practice to accommodate this type of creativity and form of enterprise. Covering law and practice in jurisdictions such as the UK, the EU, the USA, Australia, Spain and the Caribbean, this collection explores the 'fit' of intellectual property laws with specific franchises and tracks the way creators and entrepreneurs work around law's limitations. Case studies include mega-film franchises, fan activity, hip-hop, the management of celebrity reputation, flamenco, 'Disneyfied' theatre, film and television funding, arts festivals and 'carnival in a box'.
Table of Contents
- Part I. Introduction: 1. Franchise dynamics, creativity and the law Kathy Bowrey and Michael Handler
- Part II. The Productivity of the Author Model: Authors, Collaborators and Non-Authors: 2. The author strikes back: mutating authorship in the expanded universe Lionel Bently and Laura Biron
- 3. Franchises, imaginary worlds, authorship and fandom David Lindsay
- 4. Digital sampling and music industry practices, re-spun Johnson Okpaluba
- Part III. Managing Authorship: 5. Building and rebuilding reputations: reflections on the role of defamation law in the life of a celebrity David Rolph
- 6. Dramatic copyright and the Disneyfication of theatre space Brent Salter and Kathy Bowrey
- 7. Instituting copyright: reconciling copyright law and industry practice in the Australian film and television sector Kathy Bowrey and Michael Handler
- 8. Flamenco music in copyright historiography Jose Bellido
- Part IV. Group Rights and Culture: 9. Arts festivals: property, heritage or more? Fiona Macmillan
- 10. Franchising carnival: issues of rights and cultural identity Sharon Le Gall.
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