Bibliographic Information

Francis Picabia : catalogue raisonné

William A. Camfield ... [et al.]

Mercatorfonds , Distributed by Yale University Press, c2014-

  • v. 1 : Yale University Press
  • v. 1 : Mercatorfonds
  • v. 2 : Yale University Press
  • v. 2 : Mercatorfonds
  • v. 3 : Yale University Press
  • v. 3 : Mercatorfons

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Note

Other authors: v. 1: Candace Clements, Arnauld Pierre, Pierre Calté. v. 2: Beverley Calté, Candace Clements, Arnauld Pierre, Aurélie Verdier, Pierre Calté. v. 3: Beverley Calté, Candace Clements, Arnauld Pierre

Contents: v. 1. 1898-1914 -- v. 2. 1915-1927 -- v. 3. 1927-1939

Description and Table of Contents

Volume

v. 1 : Yale University Press ISBN 9780300208283

Description

This publication is the first of four volumes in the catalogue raisonne of Francis Picabia (1879-1953), one of the most significant, challenging artists of the 20th century. The works in Volume I range from Picabia's early pieces as an Impressionist in the 1890s to his Cubist and abstract paintings of 1912-14, which constitute landmarks in the history of modern art. This volume allows for new critical and scientific readings of his work and piques interest in his lesser-known pieces. Along with illustrations of each featured work, the book includes an introduction, chronology, bibliography, list of exhibitions, and indices. Distributed for Mercatorfonds
Volume

v. 3 : Yale University Press ISBN 9780300243727

Description

This third volume in a planned four-volume catalogue raisonne of works by the French avant-garde artist Francis Picabia (1879-1953) includes paintings and selected drawings dating from mid-1927 through 1939. Innovative collage-paintings and flamboyant figural compositions known as "monsters" that dominated Picabia's output in the mid-1920s gave way, during 1927, to new artistic directions. The most important of these was an exploration of the concept of transparency in many forms, first through the addition of new elements to his own pre-existing works, then through the tangled compositions he called "transparencies," superimposing outlined figures, animals, plants, and other motifs. Picabia's production during this period also encompassed imposing, representational compositions with firmly contoured and solidly colored forms, thickly painted topographical landscapes, curvilinear abstractions, and toward the end, photo-based figural paintings foreshadowing his notorious painted nudes of the early 1940s. Distributed for Mercatorfonds

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Details

  • NCID
    BB17743838
  • ISBN
    • 9780300208283
    • 9789462300583
    • 9780300222463
    • 9789462301436
    • 9780300243727
    • 9789462302488
  • Country Code
    be
  • Title Language Code
    fre
  • Text Language Code
    engfre
  • Place of Publication
    Brussels,New Haven
  • Pages/Volumes
    v.
  • Size
    30 cm
  • Classification
  • Subject Headings
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