Shakespeare and the imprints of performance
Author(s)
Bibliographic Information
Shakespeare and the imprints of performance
（History of text technologies / Gary Taylor, Francois Dupuigrenet Desroussilles, Elizabeth Spiller, series editors）
Palgrave Macmillan, 2014
- : hardback
Available at / 1 libraries
-
No Libraries matched.
- Remove all filters.
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Within the study of drama, the question of how to relate text and performance-and what interpretive tools are best suited to analyzing them-is a longstanding and contentious one. Most scholars agree that reading a printed play is a means of dramatic realization absolutely unlike live performance, but everything else beyond this premise is contestable: how much authority to assign to playwrights, the extent to which texts and readings determine performance, and the capability of printed plays to communicate the possibilities of performance. Without denying that printed plays distort and fragment performance practice, this book negotiates an intractable debate by shifting attention to the ways in which these inevitable distortions can nevertheless enrich a reader's awareness of a play's performance potentialities. As author J. Gavin Paul demonstrates, printed plays can be more meaningfully engaged with actual performance than is typically assumed, via specific editorial principles and strategies. Focusing on the long history of Shakespearean editing, he develops the concept of the performancescape: a textual representation of performance potential that gives relative shape and stability to what is dynamic and multifarious.
Table of Contents
Prologue: Prospero's Storm 1. Mediating Page and Stage 2. Text and Performance on the Early Modern Page 3. Performance and the Editorial Tradition 4. Performance Commentary: Writing in the Sand 5. The Critical Edition as Archive Epilogue: Prospero's Bands
by "Nielsen BookData"
