Acting Stanislavski : a practical guide to Stanislavski's approach and legacy
著者
書誌事項
Acting Stanislavski : a practical guide to Stanislavski's approach and legacy
（Methuen drama）
Bloomsbury, 2014
- : [pb.]
- タイトル別名
-
Acting on impulse : reclaiming the Stanislavski approach
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注記
"A new, extended and fully updated edition of Acting on impulse : reclaiming the Stanislavski approach (Bloomsbury Methuen Drama, 2007)"--Back cover
Description based on 2nd printing, 2014
Includes bibliographical references (p. 291-294) and index
内容説明・目次
内容説明
Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied.
In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring:
ease and focus
the nature of action, interaction and objectives
the imaginary reality, senses and feeling
active analysis of text
physical and vocal expression of character
the actor in the context of training and the industry.
Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject.
Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg.
A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher.
目次
Acknowledgements
Foreword, by Sam West
Introduction - acting in context
PART ONE STARTING FROM NOTHING
Chapter 1 Awareness
Chapter 2 Ease and focus
PART TWO IMAGINATION AND ACTION - CREATING THE FOUNDATIONS
Chapter 3 Acting in circumstances
Chapter 4 Acting with others
Chapter 5 What do I want?
PART THREE DEVELOPING THE IMAGINARY REALITY - IMAGES, SENSING, FEELING
Chapter 6 Imagining the action
Chapter 7 Sensing
Chapter 8 Feeling
Chapter 9 Atmosphere
PART FOUR EXPLORING TEXT AND CHARACTER
Chapter 10 Meeting the play
Chapter 11 Meeting the character
PART FIVE CREATING THE LIFE OF THE ROLE
Chapter 12 Discovering the action - active analysis
Chapter 13 Embodiment - physical expression of the character
Chapter 14 Refining the role
Chapter 15 The character
PART SIX BEYOND THE ROLE
Chapter 16 Acting ethics
Chapter 17 Working together
Chapter 18 An open conclusion
A map of the organic acting process
Glossary
Selected bibliography
Index
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