The jumbies' playing ground : old world influence on Afro-Creole masquerades in the Eastern Caribbean
著者
書誌事項
The jumbies' playing ground : old world influence on Afro-Creole masquerades in the Eastern Caribbean
（Folklore studies in a multicultural world）
University Press of Mississippi, c2012
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注記
Includes bibliographical references (p. 255-271) and index
内容説明・目次
内容説明
During the masquerades common during carnival time, jumbies (ghosts or ancestral spirits) are set free to roam the streets of Caribbean nations, turning the world topsy-turvy. Modern carnivals, which evolved from earlier ritual celebrations featuring disguised performers, are important cultural and economic events throughout the Caribbean, and are a direct link to a multilayered history.
This work explores the evolutionary connections in function, garb, and behavior between Afro-Creole masquerades and precursors from West Africa, the British Isles, and Western Europe. Robert Wyndham Nicholls utilizes a concept of play derived from Africa to describe a range of lighthearted and ritualistic activities. Along with Old World seeds, he studies the evolution of Afro-Creole prototypes that emerged in the Eastern Caribbean--bush masquerades, stilt dancers, animal disguises, she-males, female masquerades, and carnival clowns.
Masquerades enact social, political, and spiritual roles within recurring festivals, initiations, wakes, skimmingtons, and weddings. The author explores performance in terms of abstraction in costume-disguise and the aesthetics of music, songs, drum-rhythms, dance, and licentiousness. He reveals masquerades as transformative agent, ancestral endorser, behavior manager, informal educator, and luck conferrer.
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