Dickens' novels as poetry : allegory and literature of the city
Author(s)
Bibliographic Information
Dickens' novels as poetry : allegory and literature of the city
(Routledge studies in nineteenth-century literature, 13)
Routledge, 2015
Available at 13 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
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  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
  Germany
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  France
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  Netherlands
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  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Focusing on the language, style, and poetry of Dickens' novels, this study breaks new ground in reading Dickens' novels as a unique form of poetry. Dickens' writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens' interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens' earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens' key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Table of Contents
Introduction: Urban Writing: Writing Poetry Part I: Writing Styles: Romantic and Baroque I. Dickens' Reading II. Dickens, Hogarth, and Caricature III. The Old Curiosity Shop Part II: Poetry and the City I. Pickwick Papers: Jingle and Weller II. 'Bragian Words': Martin Chuzzlewit III. Stopping Growing: Dombey and Son Part III: Opening Words I. Naming: Dombey and Son to Bleak House II. 'The Insistence of the Letter': Bleak House III. Staring in Little Dorrit IV. Novels of the 1860s Part IV: Dickens and the Poetry of Dreams I. The Mask II. The 'Waking Dream': Oliver Twist III. 'The Tempest' in David Copperfield IV. 'Scattered Consciousness': The Mystery of Edwin Drood
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