Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938
Author(s)
Bibliographic Information
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938
（China studies / editors, Glen Dudbridge, Frank Pieke, v. 29）
Brill, c2014
- : hardback
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Note
Bibliography: p. [320]-366
Includes index
Description and Table of Contents
Description
In Shanghai Filmmaking, Huang Xuelei invites readers to go on an intimate, detailed, behind-the-scenes tour of the world of early Chinese cinema. She paints a nuanced picture of the Mingxing Motion Picture Company, the leading Chinese film studio in the 1920s and 1930s, and argues that Shanghai filmmaking involved a series of border-crossing practices.
Shanghai filmmaking developed in a matrix of global cultural production and distribution, and interacted closely with print culture and theatre. People from allegedly antagonistic political groupings worked closely with each other to bring a new form of visual culture and a new body of knowledge to an audience in and outside China. By exploring various border crossings, this book sheds new light on the power of popular cultural production during China's modern transformation.
Table of Contents
Figures, Charts, and Tables
Conventions and Abbreviations
Acknowledgements
Foreword
Paul G. Pickowicz
INTRODUCTION: Shanghai Filmmaking: Border-crossing Practices
PART I PRODUCTION
1. The Business
2. Players in the 1920s: Interconnecting, Mediating
3. Players in the 1930s: Contestation? Collaboration?
PART II PRODUCT
4. The Medium: Inside Glocal Mediascapes
5. The Narrative (I): Melodrama as a Social Form
6. The Narrative (II): Melodramas Fit for All
7. The Meaning: Toward a Sentimental Education
EPILOGUE: Toward a Glocal Viewing Public
Appendix I: Filmography
Appendix II: Mingxing Personnel
Bibliography
by "Nielsen BookData"
