William Eggleston : from black and white to color
著者
書誌事項
William Eggleston : from black and white to color
Steidl, 2014
- : hbk
- タイトル別名
-
From black & white to color
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalog of an exhibition held at Fondation Henri Cartier-Bresson, Paris, Sept. 9-Dec. 21, 2014, as part of Le mois de la photo; and at Musée de l'Elysée, Lausanne, Jan. 30-May 3, 2015
Essays by Agnès Sire and Thomas Weski
内容説明・目次
内容説明
At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier- Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier- Bresson." Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. From Black and White to Color includes some exceptional as yet unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Eggleston's work when he began photographing in color at the end of the 1960s. Here we discover similar obsessions and recurrent themes as present in his early black-and-white work, including ceilings, food, and scenes of waiting, as well as Eggleston's unconventional croppings-all definitive traits of the photographer who famously proclaimed, "I am at war with the obvious."
「Nielsen BookData」 より