Roy Lichtenstein

著者

    • Bader, Graham

書誌事項

Roy Lichtenstein

edited by Graham Bader ; essays, interviews, and a lecture transcript by Graham Bader ... [et al.]

(October files / Rosalind Krauss, Annette Michelson ... [et al.], editors, 7)

MIT Press, c2009

  • : hardback

タイトル別名

Roy Lichtenstein ; essays, interviews, and a lecture transcript by Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, and Michael Lobel

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注記

Includes index

収録内容

  • Reviews, 1962-64 / Donald Judd
  • Lichtenstein at the Guggenheim / Max Kozloff
  • Tape-recorded interview with Roy Lichtenstein, October 5, 1965, 11:00 AM /John Jones
  • Interview : Roy Lichtenstein / John Coplans
  • Roy Lichtenstein in conversation on Matisse / Jean-Claude Lebensztejn
  • A review of my work since 1961 : a slide presentation / Roy Lichtenstein
  • Unsentimental education : the professionalization of the American artist / David Deitcher
  • Technology ennvisioned : Lichtenstein's monocularity / Michael Lobel
  • Slide lecture / Yves-Alain Bois
  • Pop Pygmalion / Hal Foster
  • Donald's numbness / Graham Bader

内容説明・目次

内容説明

The most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces. Roy Lichtenstein's popular appeal-and his influence on pop culture, seen in everything from greeting cards to sitcoms-at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of painting-while remaining committed to the most traditional procedures and goals of the medium. (He once said, "The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.") This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments. The book includes Donald Judd's reviews of Lichtenstein's three solo Pop shows in the early 1960s, an essay on the artist's 1969 Guggenheim retrospective, interviews that touch on topics ranging from the New York art world to Monet and Matisse, the transcript of a 1995 slide presentation in which Lichtenstein surveyed three decades of his work, and an in-depth study of Lichtenstein's first Pop painting, Look Mickey (1961). The texts explore Lichtenstein's career across the boundaries of medium and period, excavating early critical discussions and surveying more recent reexaminations of his artistic practice. The collection will be an indispensable resource for those interested in Lichtenstein, Pop Art, and American culture of the 1960s. Contributors Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, Michael Lobel

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関連文献: 1件中  1-1を表示

  • October files

    Rosalind Krauss, Annette Michelson ... [et al.], editors

    MIT Press

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