Paul Durand-Ruel : memoirs of the first impressionist art dealer (1831-1922)
Author(s)
Bibliographic Information
Paul Durand-Ruel : memoirs of the first impressionist art dealer (1831-1922)
Flammarion, c2014
English-language ed
- Other Title
-
Paul Durand-Ruel : mémoires du marchand des impressionnistes
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Simultaneously published in French as: Paul Durand-Ruel : mémoires du marchand des impressionnistes
Includes bibliographical references and indexes
Description and Table of Contents
Description
Paul Durand-Ruel's memoirs, first published in French in 1939, now translated into English and supplemented with contemporary and historical information, track his career as a patron and promoter of poverty-stricken and struggling impressionist artists of the fin-de-siecle period. The young collector and gallery owner supported them emotionally and financially, and relentlessly promoted works by the likes of Degas, Manet, and Milletworks now considered invaluable. His meticulous and detailed memoirs recount key events, from his grandparents desperate flight from the Terror in 1793, to his fathers early days collecting paintings to sell in his mothers stationery shop, to his own extensive records of purchases. Among Durand-Ruel's notable acquisitions were modern paintings bought from Prince Napoleon at the Palais-Royal in 1867 and Rembrandts David and Saul, purchased for just 12,500 francs in 1869. The memoirs delve into the records of his momentous career, using detailed accounts of auctions to reflect society's changing opinion and increasing adoration of the impressionist artists that Durand-Ruel had championed.
by "Nielsen BookData"