Black popular music in Britain since 1945
著者
書誌事項
Black popular music in Britain since 1945
(Ashgate popular and folk music series)
Ashgate, c2014
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Series statement from "General editor's preface"
Includes bibliographical references (p. [203]-225) and index
内容説明・目次
内容説明
Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through the 2000s. While the book offers a history it also discusses the ways black musics in Britain have intersected with the politics of race and class, multiculturalism, gender and sexuality, and debates about media and technology. Contributors examine the impact of the local, the ways that black music in Birmingham, Bristol, Liverpool, Manchester and London evolved differently and how black popular music in Britain has always developed in complex interaction with the dominant British popular music tradition. This tradition has its own histories located in folk music, music hall and a constant engagement, since the nineteenth century, with American popular music, itself a dynamic mixing of African-American, Latin American and other musics. The ideas that run through various chapters form connecting narratives that challenge dominant understandings of black popular music in Britain and will be essential reading for those interested in Popular Music Studies, Black British Studies and Cultural Studies.
目次
- Introduction Black Popular Music in Britain Since 1945, Jon Stratton, Nabeel Zuberi
- Chapter 1 Race, Identity and the Meaning of Jazz in 1940s Britain, Catherine Tackley
- Chapter 2 Melting Pot, Jon Stratton
- Chapter 3 Revisiting Britain's 'Afro Trend' of the 1960s and 1970s, Markus Coester
- Chapter 4 Britfunk, Robert Strachan
- Chapter 5 Black Music and Cultural Exchange in Bristol, Rehan Hyder
- Chapter 6 Bass Culture, Mykaell Riley
- Chapter 7 'Men Cry Too', Lisa Amanda Palmer
- Chapter 8 The Sounding of the Notting Hill Carnival, Julian Henriques, Beatrice Ferrara
- Chapter 9 Voodoo Rage, Hillegonda C. Rietveld
- Chapter 10 Break/Flow/Escape/Capture, Jeremy Gilbert
- Chapter 11 'New Throat Fe Chat', Nabeel Zuberi
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