Black British jazz : routes, ownership and performance
著者
書誌事項
Black British jazz : routes, ownership and performance
(Ashgate popular and folk music series)
Ashgate, c2014
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Series statement from "General editor's preface"
Includes bibliographical references and index
内容説明・目次
内容説明
Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world.
目次
- Chapter 1 Another Place, Another Race? Thinking through Jazz, Ethnicity and Diaspora in Britain, JasonToynbee, CatherineTackley, MarkDoffman
- Part 1 Routes
- Chapter 2 Towards a Black British Jazz, HowardRye
- Chapter 3 Tiger Bay and the Roots/Routes of Black British Jazz, CatherineTackley
- Chapter 4 Is Reggae to Black British Music as Blues is to Jazz? Caribbean Roots/Routes in Imaginings of Black British Jazz, KennethBilby
- Part 2 Ownership
- Chapter 5 Race, Consecration and the 'Music Outside'? The making of the British Jazz Avant-Garde, MarkBanks, JasonToynbee
- Chapter 6 'What you doin' here?' The Sounds, Sensibilities and Belonging(s) of Black British Jazz Musicians, MarkDoffman
- Chapter 7 Soweto's War, Justin A.Williams
- Part 3 Performance
- Chapter 8 Winifred Atwell and Her 'Other Piano', GeorgeMcKay
- Chapter 9 Camping It Up: Jazz's Modernity, Reginald Foresythe, Theodor Adorno and the Black Atlantic, GeorgeBurrows
- Chapter 10 Standard, Advantage, and Race in British Discourse about Jazz, ByronDueck
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