Continuous project altered daily : the writings of Robert Morris
著者
書誌事項
Continuous project altered daily : the writings of Robert Morris
(October books)(The M.I.T. Press paperback series)
MIT Press , Solomon R. Guggenheim Museum, 1995
- : PB
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
Robert Morris is best known for his contributions to minimalist sculpture and antiform art, as well as for a number of influential theoretical writings on art. This collection of his essays from the 1960s to the 1980s addresses wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism and perceptual conditions. Included are the influential "Notes on Sculpture", which in four parts articulates the shifting terrains of sculpture during the 1960s, tracing its movement from the gestalt-driven unitary forms of minimalism, through permutable pieces, to the formally dispersed process-oriented antiform art that appeared later in the decade. Morris's landmark essay on "Anti Form", which marked a departure from art as object is also featured. In the later essays, Morris looks at modern art's development in America, based on a framework of strategies produced by Duchamp, Pollock, and other key figures. And in a refiguration of an interview with Roger Denson, Morris acts out a subtle mockery of himself and his art, collapsing the high seriousness of the intended format into a playful scheme.
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