The myth of Persephone in girls' fantasy literature
Author(s)
Bibliographic Information
The myth of Persephone in girls' fantasy literature
(Children's literature and culture / Jack Zipes, series editor)
Routledge, 2014, c2012
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 221-231) and index
"First published 2012 ... First issued in paperback 2014"--T.p. verso
Description and Table of Contents
Description
In this book, Blackford historicizes the appeal of the Persephone myth in the nineteenth century and traces figurations of Persephone, Demeter, and Hades throughout girls' literature of the nineteenth and twentieth centuries. She illuminates developmental patterns and anxieties in E. T. A. Hoffmann's Nutcracker and Mouse King, Louisa May Alcott's Little Women, Emily Bronte's Wuthering Heights, J. M. Barrie's Peter and Wendy, Frances Hodgson Burnett's The Secret Garden, E. B. White's Charlotte's Web, J. K. Rowling's Harry Potter and the Chamber of Secrets, Stephenie Meyer's Twilight, and Neil Gaiman's Coraline. The story of the young goddess's separation from her mother and abduction into the underworld is, at root, an expression of ambivalence about female development, expressed in the various Neverlands through which female protagonists cycle and negotiate a partial return to earth. The myth conveys the role of female development in the perpetuation and renewal of humankind, coordinating natural and cultural orders through a hieros gamos (fertility coupling) rite. Meanwhile, popular novels such as Twilight and Coraline are paradoxically fresh because they recycle goddesses from myths as old as the seasons. With this book, Blackford offers a consideration of how literature for the young squares with broader canons, how classics flexibly and uniquely speak through novels that enjoy broad appeal, and how female traditions are embedded in novels by both men and women.
Table of Contents
Contents Introduction: Reaching for the Narcissus: Byronic Boys, Toys, and the Plight of Persephone 1: Unearthing the Child Underworld: The History of Persephone and Developmental Psychology 2: Toying with Persephone: Herr Drosselmeier and Marie in E. T. A. Hoffmann's Nutcracker and Mouse King (1816) 3: Jo's Sensational Boy and the Gift of Amy's Soul in Louisa May Alcott's Little Women (1868-1869) 4: Lost Girls, Underworld Queens in J. M. Barrie's Peter and Wendy (1911) and Emily Bronte's Wuthering Heights (1847) 5: Eleusinian Mysteries in Frances Hodgson Burnett's The Secret Garden (1911) 6: The Byronic Woman: E. B. White's Charlotte's Web (1952) 7: The Riddle of Feminine Ecriture in J. K. Rowling's Harry Potter and the Chamber of Secrets (1998) 8: Divorce and Other Mothers: Stephenie Meyer's Twilight (2005) and Neil Gaiman's Coraline (2002)
by "Nielsen BookData"