History of modern art : painting sculpture architecture photography

著者

• Arnason, H. Harvard
• Mansfield, Elizabeth

書誌事項

History of modern art : painting sculpture architecture photography

H.H. Arnason, Elizabeth C. Mansfield

Prentice Hall, c2010

6th ed

• : paperbound

注記

Includes bibliographical references (p. 774-803) and index

内容説明・目次

内容説明

Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art historian and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative.

目次

Foreword: A Short History of History of Modern Art The Art of Looking Experience and Interpretation A Book That Moves with the Times Preface What's New: Chapter-by-chapter revisions 1: The Origins of Modern Art SOURCE: Theophile Gautier, preface to Mademoiselle de Maupin (1835) Making Art and Artists: The Role of the Critic A Marketplace for Art CONTEXT: Modernity and Modernism the Modern Artist What Does It Mean to Be an Artist?: From Academic Emulation toward Romantic Originality Making Sense of a Turbulent World: The Legacy of Neoclassicism and Romanticism TECHNIQUE: Printmaking Techniques History Painting Landscape Painting 2: The Search for Truth: Early Photography, Realism, and Impressionism New Ways of Seeing: Photography and its Influence TECHNIQUE: Daguerreotype versus Calotype Only the Truth: Realism France England Seizing the Moment: Impressionism and the Avant-Garde Manet and Whistler From Realism to Impressionism Nineteenth-Century Art in the United States Early American Artists and the Hudson River School New Styles and Techniques in Later Nineteenth- SOURCE: Charles Baudelaire, from his "Salon of 1859" Century American Art 3: Post-Impressionism The Poetic Science of Color: Seurat and the Neo-Impressionists Form and Nature: Paul Cezanne Early Career and Relation to Impressionism Later Career The Triumph of Imagination: Symbolism Reverie and Representation: Moreau, Puvis, and Redon The Naive Art of Henri Rousseau An Art Reborn: Rodin and Sculpture at the Fin-de-Siecle Early Career and The Gates of Hell The Burghers of Calais and Later Career Exploring New Possibilities: Claudel and Rosso Primitivism and the Avant-Garde: Gauguin and Van Gogh Gauguin SOURCE: Paul Gauguin, from Noa Noa (1893) Van Gogh SOURCE: Vincent van Gogh, from a letter to his brother Theo van Gogh, 6 August 1888 A New Generation of Prophets: The Nabis Vuillard and Bonnard Montmartre: At Home with the Avant-Garde 4: The Origins of Modern Architecture and Design Safeguarding Culture: Revivalist Tendencies in Nineteenth-Century Architecture American Classicism European Eclecticism "A Return to Simplicity": The Arts and Crafts Movement and Experimental Architecture Experiments in Synthesis: Modernism beside the Hearth Palaces of Iron and Glass: The Influence of Industry SOURCE: Joris-Karl Huysmans, from the review Le Fer, 1889 "Form Follows Function": The Chicago School and the Origins of the Skyscraper SOURCE: Louis Sullivan, "The Tall Office Building Artistically Considered," 1896 5: Art Nouveau and the Beginnings of Expressionism With Beauty at the Reins of Industry: Aestheticism and Art Nouveau Natural Forms for the Machine Age: The Art Nouveau Aesthetic Painting and Graphic Art SOURCE: Sigmund Freud, from The Interpretation of Dreams, 1899 Architecture and Design Toward Expressionism: Late Nineteenth-Century Avant-Garde Painting beyond France Scandinavia Northern and Central Europe 6: The New Century: Experiments in Color and Form Fauvism "Purity of Means" in Practice: Henri Matisse's Early Career Earliest Works Matisse's Fauve Period SOURCE: Charles Baudelaire, Invitation to the Voyage, 1857 The Influence of African Art "Wild Beasts" Tamed: Derain, Vlaminck, and Dufy Religious Art for a Modern Age: Georges Rouault The Belle Epoque on Film: the Lumiere Brothers and Lartigue CONTEXT: Early Motion Pictures Modernism on a Grand Scale: Matisse's Art after Fauvism Forms of the Essential: Constantin Brancusi 7: Expressionism in Germany From Romanticism to Expressionism: Corinth and Modersohn-Becker SOURCE: Paula Modersohn-Becker, Letters and journal Spanning the Divide between Romanticism and Expressionism: Die Brucke Kirchner TECHNIQUE: Woodcuts and Woodblock Prints Nolde Heckel, Muller, Pechstein, and Schmidt-Rottluff Die Brucke's Collapse The Spiritual Dimension: Der Blaue Reiter Kandinsky Munter Werefkin Marc Macke Jawlensky Klee Feininger Expressionist Sculpture Self-Examination: Expressionism in Austria Schiele Kokoschka CONTEXT: The German Empire 8: Cubism Immersed in Tradition: Picasso's Early Career Barcelona and Madrid Blue and Rose Periods CONTEXT: Women as Patrons of the Avant-Garde Les Demoiselles d'Avignon Beyond Fauvism: Braque's Early Career "Two Mountain Climbers Roped Together": Braque, Picasso, and the Development of Cubism "Analytic Cubism," 1909-11 "Synthetic Cubism," 1912-14 TECHNIQUE: Collage Constructed Spaces: Cubist Sculpture Braque and Picasso Archipenko Duchamp-Villon Lipchitz Laurens An Adaptable Idiom: Developments in Cubist Painting in Paris Gris Gleizes and Metzinger Leger Other Agendas: Orphism and Other Experimental Art in Paris, 1910-14 Duchamp 9: Early Twentieth-Century Architecture Modernism in Harmony with Nature: Frank Lloyd Wright Early Houses The Larkin Building Mid-Career Crisis Temples for the Modern City: American Classicism 1900-15 New Simplicity Versus Art Nouveau: Vienna Before World War I Tradition and Innovation: The German Contribution to Modern Architecture Behrens and Industrial Design CONTEXT: The Human Machine: Modern Workspaces Expressionism in Architecture Toward the International Style: The Netherlands and Belgium Berlage and Van de Velde New Materials, New Visions: France in the Early Twentieth Century TECHNIQUE: Modern Materials 10: European Responses to Cubism Fantasy Through Abstraction: Chagall and the Metaphysical School Chagall De Chirico and the Metaphysical School "Running on Shrapnel": Futurism in Italy SOURCE: Filippo Tommaso Marinetti, from The Founding and Manifesto of Futurism Balla Bragaglia Severini Carra Boccioni Sant'Elia "Our Vortex is Not Afraid:" Wyndham Lewis and Vorticism CONTEXT: The Omega Workshops A World Ready for Change: The Avant-Garde in Russia Larionov, Goncharova, and Rayonism Popova and Cubo-Futurism Malevich and Suprematism El Lissitzky's Prouns TECHNIQUE: Axonometry Kandinsky in the Early Soviet Period Utopian Visions: Russian Constructivism Innovations in Sculpture Tatlin Rodchenko Stepanova and Rozanova Pevsner, Gabo, and the Spread of Constructivism 11: Picturing the Wasteland: Western Europe during World War I CONTEXT: The Art of Facial Prosthetics The World Turned Upside Down: The Birth of Dada The Cabaret Voltaire and Its Legacy Arp "Her Plumbing and Her Bridges": Dada Comes to America Duchamp's Early Career SOURCE: Anonymous (Marcel Duchamp), "The Richard Mutt Case" Duchamp's Later Career Picabia Man Ray and the American Avant-Garde "Art is Dead": Dada in Germany Hausmann, Hoech, and Heartfield Schwitters Ernst Idealism and Disgust: The "New Objectivity" in Germany Grosz Dix The Photography of Sander and Renger-Patzsch Beckmann CONTEXT: Degenerate Art 12: Art in France after World War I Eloquent Figuration: Les Maudits Modigliani Soutine Utrillo Dedication to Color: Matisse's Later Career Response to Cubism, 1914-16 Renewal of Coloristic Idiom, 1917-c. 1930 An Art of Essentials, c. 1930-54 CONTEXT: Matisse in Merion, Pennsylvania Celebrating the Good Life: Dufy's Later Career Eclectic Mastery: Picasso's Career after the War Parade and Theatrical Themes CONTEXT: Diaghilev's Ballets Russes Postwar Classicism Cubism Continued Sensuous Analysis: Braque's Later Career Austerity and Elegance: Leger, Le Corbusier, and Ozenfant 13: Clarity, Certainty, and Order: de Stijl and the Pursuit of Geometric Abstraction The de Stijl Idea SOURCE: De Stijl "Manifesto 1" (1918, published in de Stijl in 1922) Mondrian: Seeking the Spiritual Through the Rational Early Work Neoplasticism The Break with de Stijl Van Doesburg, de Stijl, and Elementarism De Stijl Realized: Sculpture and Architecture Vantongerloo Van 't Hoff and Oud Rietveld Van Eesteren 14: Bauhaus and the Teaching of Modernism Audacious Lightness: The Architecture of Gropius The Building as Entity: The Bauhaus SOURCE: Walter Gropius, from Bauhaus Manifesto (1919) Bauhaus Dessau The Vorkurs: Basis of the Bauhaus Curriculum Moholy-Nagy Josef Albers Klee Kandinsky Die Werkmeistern: Craft Masters at the Bauhaus Schlemmer Stoelzl Breuer and Bayer TECHNIQUE: Industry into Art into Industry "The Core from which Everything Emanates": International Constructivism and the Bauhaus Gabo Pevsner Baumeister From Bauhaus Dessau to Bauhaus U.S.A. Mies van der Rohe Bauhaus U.S.A. 15: Surrealism and Its Discontents CONTEXT: Fetishism Breton and the Background to Surrealism The Two Strands of Surrealism Political Context and Membership CONTEXT: Trotsky and International Socialism between the Wars "Art is a Fruit": Arp's Later Career Hybrid Menageries: Ernst's Surrealist Techniques "Night, Music, and Stars": Miro and Organic-Abstract Surrealism Methodical Anarchy: Andre Masson Enigmatic Landscapes: Tanguy and Dali Dali SOURCE: Georges Bataille, from The Cruel Practice of Art (1949) Surrealism beyond France and Spain: Magritte, Delvaux, Bellmer, Matta, and Lam Matta and Lam Women and Surrealism: Oppenheim, Cahun, Tanning, and Carrington Never Quite "One of Ours": Picasso and Surrealism Painting and Graphic Art, mid-1920s to 1930s Guernica and Related Works Sculpture, late 1920s to 1940s Pioneer of a New Iron Age: Julio Gonzalez Surrealism's Sculptural Language: Giacometti's Early Career Surrealist Sculpture in Britain: Moore Bizarre Juxtapositions: Photography and Surrealism Atget's Paris Man Ray, Kertesz, Tabard, and the Manipulated Image The Development of Photojournalism: Brassai, Bravo, Model, and Cartier-Bresson An English Perspective: Brandt 16: American Art Before World War II America Undisguised: The Eight and Social Criticism Henri, Sloan, Prendergast, and Bellows SOURCE: Walt Whitman, first stanza of Crossing Brooklyn Ferry (1856) Two Photographers: Riis and Hine Brooks A Rallying Place for Modernism: 291 Gallery and the Stieglitz Circle Stieglitz and Steichen TECHNIQUE: Style through Medium, Photogravure and Gelatin-Silver Prints Weber, Hartley, Marin, and Dove O'Keeffe Straight Photography: Strand, Cunningham, and Adams Coming to America: The Armory Show Sharpening the Focus on Color and Form: Synchromism and Precisionism Synchromism Precisionism The Harlem Renaissance Painting the American Scene: Regionalists and Social Realists Benton, Wood, Hopper Grandma Moses and Horace Pippin Bishop, Shahn and Blume CONTEXT: The Sacco and Vanzetti Trial Documents of an Era: American Photographers Between the Wars Social Protest and Personal Pain: Mexican Artists Rivera Orozco Siqueiros Kahlo Tamayo Modotti's Photography in Mexico The Avant-Garde Advances: Toward American Abstract Art Exhibitions and Contact with Europe Davis Diller and Pereira Avery and Tack Sculpture in America Between the Wars Lachaise and Nadelman Storrs and Roszak Calder 17: Abstract Expressionism and the New American Sculpture CONTEXT: Artists and Cultural Activism Mondrian in New York: The Tempo of the Metropolis Entering a New Arena: Modes of Abstract Expressionism SOURCE: Clement Greenberg, from Modernist Painting (first published in 1960) The Picture as Event: Experiments in Gestural Painting Hofmann Gorky Willem de Kooning Pollock SOURCE: Harold Rosenberg, from The American Action Painters (first published in 1952) Krasner Kline Tomlin and Tobey Guston Elaine de Kooning and Grace Hartigan Complex Simplicities: Color Field Painting Rothko Newman Still Reinhardt Gottlieb Motherwell Baziotes Drawing in Steel: Constructed Sculpture Smith and Dehner Di Suvero and Chamberlain Textures of the Surreal: Biomorphic Sculpture and Assemblage Noguchi Bourgeois Cornell Nevelson Expressive Vision: Developments in American Photography Capa and Miller White, Siskind, Porter, and Callahan Levitt and DeCarava 18: Postwar European Art CONTEXT: Samuel Beckett and the Theatre of the Absurd Revaluations and Violations: Figurative Art in France Picasso Giacometti Richier Balthus Dubuffet A Different Art: Abstraction in France Fautrier, Van Velde, Hartung, and Soulages Wols, Mathieu, Riopelle, and Vieira da Silva De Stael "Pure Creation": Concrete Art Bill and Lohse Postwar Juxtapositions: Figuration and Abstraction in Italy and Spain Morandi Marini and Manzu Afro Fontana SOURCE: Lucio Fontana, from The White Manifesto (1946) Burri Tapies "Forget It and Start Again": The CoBrA Artists and Hundertwasser Jorn Appel Alechinsky Hundertwasser Figures in the Landscape: British Painting and Sculpture Bacon Sutherland Freud Moore Hepworth Marvels of Daily Life: European Photographers Bischof Sudek Doisneau 19: Nouveau Realisme and Pop Art CONTEXT: The Marshall Plan and the "Marilyn Monroe Doctrine" "Extroversion is the Rule": Europe's New Realism Klein Tinguely and Saint-Phalle Arman Cesar Raysse Christo and Jeanne-Claude Rotella, Manzoni and Broodthaers "This is Tomorrow": Pop Art in Britain Hamilton and Paolozzi Blake and Kitaj Hockney Signs of the Times: Pop Art in the United States Rauschenberg Johns Getting Closer to Life: Happenings and Environments Kaprow, Grooms, and Early Happenings Segal Oldenburg "Just Look at the Surface": The Imagery of Everyday Life Dine Samaras and Artschwager Rivers Lichtenstein Warhol TECHNIQUE: Screenprinting Rosenquist, Wesselmann, and Indiana Lindner, Marisol, Sister Corita Poetics of the "New Gomorrah": West Coast Artists Thiebaud Kienholz Jess Ruscha Jimenez Personal Documentaries: The Snapshot Aesthetic in American Photography 20: Playing by the Rules: Sixties Abstraction Drawing the Veil: Post Painterly Abstraction SOURCE: Clement Greenberg, from Post Painterly Abstraction (1964) Francis and Mitchell Frankenthaler, Louis, and Olitski Poons At an Oblique Angle: Diebenkorn and Twombly Forming the Unit: Hard-Edge Painting Seeing Things: Op Art Vasarely Riley and Anuszkiewicz New Media Mobilized: Motion and Light Mobiles and Kinetic Art Artists Working with Light The Limits of Modernism: Minimalism Caro Stella Smith, Judd, Bladen, and Morris SOURCE: Tony Smith, from a 1966 Interview in Artforum LeWitt, Andre, and Serra TECHNIQUE: Minimalist Materials: Cor-Ten Steel Minimalist Painters Complex Unities: Photography and Minimalism 21: Modernism in Architecture at Mid-Century "The Quiet Unbroken Wave": The Later Work of Wright and Le Corbusier Wright During the 1930s Le Corbusier Purity and Proportion: The International Style in America The Influence of Gropius and Mies van der Rohe Skyscrapers Domestic Architecture Internationalism Contextualized: Developments in Europe, Latin America, Asia, and Australia Finland Great Britain France Germany and Italy Latin America, Australia, and Japan Breaking the Mold: Experimental Housing CONTEXT: Women in Architecture Arenas for Innovation: Major Public Projects Cultural Centers, Theaters, and Museums in America Urban Planning and Airports Architecture and Engineering TECHNIQUE: The Dymaxion House 22: Conceptualism and Activist Art Art as Language Art & Language, Kosuth CONTEXT: Semiotics Weiner, Huebler, Barry Keeping Time: Baldessari, Kawara, Darboven Conceptual Art as Cultural Critique Haacke, Asher Lawler, Wilson Buren Extended Arenas: Performance Art and Video Fluxus CONTEXT: The Situationists Beuys The Medium Is the Message: Early Video Art Paik Nauman Campus' Video Art When Art Becomes Artist: Body Art Schneemann, Wilke Mendieta Acconci Burden Gilbert and George, Anderson, and Horn Radical Alternatives: Feminist Art The Feminist Arts Program Erasing the Boundaries between Art and Life: Later Feminist Art Kelly Guerrilla Girls Antoni Invisible to Visible: Art and Racial Politics OBAC, Afri-COBRA, and SPARC Ringgold and Folk Traditions Social and Political Critique: Hammons, Colescott The Concept of Race: Piper 23: Post-Minimalism Big Outdoors: Earthworks and Land Art CONTEXT: Environmentalism Monumental Works SOURCE: Robert Smithson, from "Cultural Confinement," originally published in Artforum (1972) Landscape as Experience Abakanowicz's Site-Specific Sculpture Visible Statements: Monuments and Public Sculpture Metaphors for Life: Process Art Arte Povera: Merz, Kounellis Body of Evidence: Figurative Art Traditional Realism Photorealism Hanson's Superrealist Sculpture Stylized Naturalism Animated Surfaces: Pattern and Decoration Figure and Ambiguity: New Image Art Rothenberg and Moskowitz Sultan and Jenney Borofsky and Bartlett Chicago Imagists: Nutt and Paschke Steir New Image Sculptors: Shapiro and Flanagan 24: Postmodernism CONTEXT: Poststructuralism Postmodernism in Architecture "Complexity and Contradiction": The Reaction Against Modernism Sets In SOURCE: Robert Venturi, Denise Scott Brown, and Steven Izenour, from Learning from Las Vegas (1972) In Praise of "Messy Vitality": Postmodernist Eclecticism Venturi, Rauch, and Scott Brown, and Moore Hollein, Stern, and Isozaki Ironic Grandeur: Postmodern Architecture and History Johnson Stirling, Jahn, Armajani, and Foster Pei and Freed Ando and Pelli What Is a Building?: Deconstruction CONTEXT: Deconstruction versus Deconstructivism Structure as Metaphor: Architectural Abstractions Flexible Spaces: Architecture and Urbanism Plater-Zyberk and Duany Koolhaas and the OMA Postmodern Practices: Breaking Art History Appropriation: Kruger, Levine, Prince, and Sherman Kruger Holzer, McCollum, and Tansey 25: Painting through History Primal Passions: Neo-Expressionism German Neo-Expressionism: Baselitz, Lupertz, Penck, and Immendorff Polke, Richter, and Kiefer SOURCE: Gerhard Richter, from "Notes 1964-1965" Italian Neo-Expressionism: Clemente, Chia, and Cucchi TECHNIQUE: Choosing Media American Neo-Expressionism: Schnabel, Salle, and Fischl Regarding Representation: Painting and Photography in the 1980s Longo The Starns Gilbert and George Searing Statements: Painting as Social Conscience Golub and Spero Coe and Applebroog In the Empire of Signs: Neo-Geo Neo-Geo Abstraction: Halley and Bleckner The Sum of Many Parts: Abstraction in the 1980s Murray Winters Taaffe Scully Wall of Fame: Graffiti and Cartoon Artists Haring, Basquiat Wojnarowicz and Wong Rollins and KOS Painting Art History Currin, Yuskavage 26: Contemporary Art and the Renegotiation of Modernism CONTEXT: National Endowment for the Arts CONTEXT: International Art Exhibitions Commodity Art Postmodern Arenas: Installation Art CoLab, Ahearn, Osorio Kabakov Viola Strangely Familiar: British and American Sculpture Reprise and Reinterpretation: Art History as Art Meeting Points: Exploring a Postmodern Abstraction 27: Contemporary Art and Globalization CONTEXT: Modern Art Exhibitions and Postcolonialism Lines That Define Us: Locating and Crossing Borders Art and the Expression of Culture Growing into Identity Identity as Place Skin Deep: Identity and the Body Body as Self Filming the Body The Absent Body The Art of Biography Globalization and Arts Institutions Interventions in the Global Museum Designing a Global Museum CONTEXT: Avant-tainment CONTEXT: Pritzker Prize Glossary Index

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詳細情報

• NII書誌ID(NCID): BB1854427X
• ISBN:
  • 9780136062066
• LCCN: 2009015436
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Upper Saddle River, NJ
• ページ数/冊数: xviii, 830 p.
• 大きさ: 30 cm
• 分類:
  • LCC : N6490
  • DC22 : 709.04
  • DC22 : 709.03
• 件名:
  • LCSH : Art, Modern -- 20th century