{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB18608157.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB18608157#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB18608157.json"},"dc:title":[{"@value":"Michael Moore : filmmaker, newsmaker, cultural icon"}],"dc:creator":"Matthew H. Bernstein, editor","dc:publisher":[{"@value":"The University of Michigan Press"}],"dcterms:extent":"325 p.","cinii:size":"24 cm","dc:language":"eng","dc:date":"2010","cinii:ncid":"BB18608157","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA10663106#entity","@type":"foaf:Person","foaf:name":[{"@value":"Bernstein, Matthew"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA002440","@type":"foaf:Organization","foaf:name":"名古屋大学 文学 図書室","rdfs:seeAlso":{"@id":"https://m-opac.nul.nagoya-u.ac.jp/iwjs0023opc/ufirdi.do?ufi_target=ctlsrh&ncid=BB18608157&initFlg=_RESULT_SET_NOTBIB"}}],"bibo:lccn":["2010014036"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2010014036"}],"prism:publicationDate":["c2010"],"cinii:note":["Includes bibliographical references and index"],"dc:subject":["LCC:PN1998.3.M665","DC22:791.4302/33092"],"cinii:contentOfWorks":["The left's biggest star : Michael Moore as commercial auteur / Sergio Rizzo","Class, gender, race, and masculine masquerade in the documentaries of Michael Moore / Gaylyn Studlar","Moore and the documentary tradition. Michael Moore and the aesthetics and politics of contemporary documentary film / Douglas Kellner","\"Everything Is personal\" : Michael Moore and the documentary essay / Paul Arthur","The major films. Documentary film and the power of interrogation : American dream and Roger & me / Miles Orvell","Bowling for Columbine : a review / Christopher Sharrett and William Luhr","Prelude to Moore : a comparison of rhetorical techniques in Frank Capra's Why we fight series and Michael Moore's Fahrenheit 9/11 / Richard R. Ness","Truth and rhetoric in Michael Moore's Fahrenheit 9/11 / Charles Musser","Dystopia now : Fahrenheit 9/11's Red pill / David Teztlaff","Sicko movie review / Richard Porton","Beyond the American multiplex : Moore in the media marketplace. Moore muckracking : the reinvention of TV newsmagazines in the age of spin and entertainment / Jeffrey P. Jones","The British take on Moore / Richard Kilborn","MoveOn, Michael Moore, and the summer of '04 : marketing online political activism / Cary Elza"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Moore%2C+Michael%2C+1954+April+23-+--+Criticism+and+interpretation","dc:title":"Moore, Michael, 1954 April 23- -- Criticism and interpretation"},{"@id":"https://ci.nii.ac.jp/books/search?q=Motion+picture+producers+and+directors+--+Political+activity+--+United+States","dc:title":"Motion picture producers and directors -- Political activity -- United States"},{"@id":"https://ci.nii.ac.jp/books/search?q=Documentary+films+--+Political+aspects+--+History+and+criticism","dc:title":"Documentary films -- Political aspects -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Motion+pictures+--+Political+aspects+--+United+States","dc:title":"Motion pictures -- Political aspects -- United States"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA80177875#entity","dc:title":"Class : culture","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780472051038","dc:title":": pbk"}]}]}